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Tunnels around the World
2012
Event: Tunnels around the WorldInstitution: Garage, ZERO1 BiennialComment:
ON GROWTH AND FORM: ORGANIC ARCHITECTURE AND BEYOND
2008
Beesley, Philip and Sarah Bonnemaison, ed. ON GROWTH AND FORM: ORGANIC ARCHITECTURE AND BEYOND. Halifax: TUNS Press and Riverside Architectural Press, 2008.
EXPANDING BODIES: ART - CITIES - ENVIRONMENT
2007
Lilley, Brian and Philip Beesely, ed. EXPANDING BODIES: ART - CITIES - ENVIRONMENT. Halifax: Riverside Architectural Press and TUNS Press, 2007.
WORKS: THE ARCHITECTURE OF A.J. DIAMOND, DONALD SCHMITT, AND COMPANY 1968 - 1995, "York University Student Centre" By AJD,DS&Co, Philip Beesley Project Architect
1996
Carter, Brian, ed. WORKS: THE ARCHITECTURE OF A.J. DIAMOND, DONALD SCHMITT, AND COMPANY 1968 - 1995, "York University Student Centre" By AJD,DS&Co, Philip Beesley Project Architect. Halifax: TUNS Press, 1996.
Wavefunction
2007
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2007
Wavefunction is a kinetic sculpture comprised of fifty to one hundred Charles and Ray Eames moulded chairs (designed in 1948) and placed in a regular array of rows, facing the entrance to the exhibition space. When someone approaches the work, a
Sommerer, Christa, Lecture at Affective Turbulence Symposium, DEAF04 Dutch Electronic Arts Festival, Rotterdam (Netherlands), Nov 2004
2004
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2004
Event: Sommerer, Christa, Lecture at Affective Turbulence Symposium, DEAF04 Dutch Electronic Arts Festival, Rotterdam (Netherlands), Nov 2004Institution: DEAF Dutch Electronic Media Art FestivalComment:
Turbulenze
2012
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2012
Event: TurbulenzeInstitution: Pecci MuseumComment:
I Labirinthi del Corpo in Gioco.
1998
1998 Centro Culturale Lingotto, Turin: Liquid Views in I Labirinthi del Corpo in Gioco
Interactive Plant Growing
1995
Sommerer, Christa and Laurent Mignonneau. Interactive Plant Growing In ArsLab-I Sensi del Virtuale, Turin, IT: 1995.
ICONOgraphy
2003
ICONography is an independently curated exhibition exploring the computer icon (desktop or other) as a defining element of the entire construction of computational culture, and one that resonates strongly with the place of the computer icon in the
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