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Strange Attractors: A History of Video Production and Presentation in Ottawa 2000

Fortin, Sylvie and Sue Ditta, ed. Strange Attractors: A History of Video Production and Presentation in Ottawa. : 2000.
The Second Nature of Simulation: Mirroring the Organic in the Virtual World of Char Davies's Ephémère 1998

Tuer, Dot. The Second Nature of Simulation: Mirroring the Organic in the Virtual World of Char Davies's Ephémère In Char Davies: Ephémère, edited by National Gallery of CanadaOttawa, ON, Canada: 1998.
NEUTRAL: Tulca 2014 2014 - 2014

Event: NEUTRAL: Tulca 2014Institution: Tulca Festival of Visual ArtComment:
Tulca Festival 2006 - 2006

Event: Tulca FestivalInstitution: TulcaComment:
Proverbs 2011 - 2011

Event: ProverbsInstitution: CITY LIBRARY OF TULLEComment:
Remediating the Infected Body: Writing the Viral Self in Melinda Rackham's carrier. 2012

Barnett, Tully. Remediating the Infected Body: Writing the Viral Self in Melinda Rackham's carrier. Biography 1, no. 35 (2012): 45-64.
Tully Barnett

Scholar: Tully Barnett
Dara and Surrealism 2009

Kinney, Tulsa. Dara and Surrealism https://artillerymag.com/data-surrealism/.
Eternity´s Sun Rise 2007

Boredomresearch. Eternity´s Sun Rise In Tumbling Dream Chambers Exhibition Catalogue, edited by Paul BrownBerlin: [DAM] Berlin, 2007.
Die Differenz zwischen Malerei und Medien 1989

Weibel, Peter. Die Differenz zwischen Malerei und Medien In Tuncay Boztepe, Werner Bosch, edited by Urart Sanat Galerisi IstanbulIstanbul: U. Sanat Galerie Istanbul, 1989.

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