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eCulture Fair 2010 : Netzspannung.org & MediaFlow Browser , 2
2010
2010 eCulture Fair 2010 , Ruhr 2010 , Dortmunder U : Netzspannung.org & MediaFlow Browser , 23.-25.8.2010
DATA browser 04: Creating Insecurity
2009
Sützl, Wolfgang and Geoff Cox, ed. DATA browser 04: Creating Insecurity. Data Browser 04, New York: Autonomedia, 2009.
Social Data Browsing
2006
Manovich, Lev. Social Data Browsing http://manovich.net/index.php/projects/social-data-browser.
Smart Pantheon RGB
2022
2022, interactive online video for mobile devices with touch-screen (runs in web browser; best suited for iPhones and iPads) In her interactive video work Smart Pantheon RGB, Myriam Thyes addresses the almost religious devotion we give to our
Tangible Video Browser
2002
-
2003
The Tangible Video Browser provides a tactile and efficient interface for viewing digital videos. Tokens act as both containers for a set of videos and controllers for selecting a video and navigating within the video. Placing a token on the
Company of Colours
2009
video
"Company of Colours" 2009 Shadow Box 9 high resolution interactive display with built-in computerized surveillance system 41.14 x 31.52 x 4.73" / 104.5 x 80 x 12 cm edition of 6, 1AP "Company of Colours" is the ninth piece in the Shadow Box series
Jackpot
1996
video
Jackpot is an Internet slot machine that downloads three randomly selected web sites and displays them in the browser's window along with their top level domain names. You win by matching any of the top level domains. The winner can submit a URL of
Netomateque
2001
Netomatheque provides a voice-driven interface to the netomat browser. In a cozy living room setting, with a comfortable couch, a fireplace and floor to ceiling projections on the walls Netomatheque allows the user to talk directly to the WWW using
metaView
1998
video
metaView is a web viewer that displays information contained within the HTML tags which is typically not displayed in regular web browsers. metaView was first shown at the New Media Centre at the Institute of Contemporary Arts, London, UK in 1998.
Quiasma
2002
-
2004
A relational narrative map of the space allows us to model a space of data that is there as a network in the subsoil to be visually exposed by whoever interacts with the DVD. An open model for ideas, for the crossings of information, for the
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