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  • Museum for Insects - video
    Can we know insects through electronic and artistic interfaces? Do they know us? Can they experience art? Can we develop new relationships with them? I built a miniature museum space and used telepresent technologies to re-scale the situation and to
  • The Last Supper v02 -
    Archival Digital Print, Sizes: 8”x10” and 13”x19” Epson Pigment inks on cotton rag substrate or Light Jet digital photo prints. (plus custom sizes or NFT by special order) Date created: 1994 Victor: Here is my favorite iteration of a piece that was
  • Knotenpunkte. Eine Ausstellung mit sieben KünstlerInnen an sieben Orten in Nordrhein-Westfalen (Nodes. Seven artists at seven different exhibition sites in north rhine-westphalia) -
    Seven artists and seven museums – they constituted the nodes of the homonymous exhibition which was shown in North Rhine-Westphalia (NRW) from September 16th to November 11th 2007. The project, initiated by the registry of culture of NRW, Gütersloh,
  • Sommerer, Christa, Lecture at Second Iteration Conference, Monash University, Melbourne -
    Event: Sommerer, Christa, Lecture at Second Iteration Conference, Monash University, MelbourneInstitution: Monash UniversityComment:
  • House of Impressions. Classics and Contemporary of Media Art -
    2016 Pushkin Museum House of Impression exhibition (26.05.2016 – 30.09.2016) Curator: Olga Shishko & Elena Rumyantseva Featuring: Chantal Akerman (Belgium-France), Tatiana Akhmetgalieva (Russia), Mona Hatoum (USA), Marianne Heske (Norway), Nan
  • IJWBAA
    IJWBAA, or Paul ‘Pau’ Hafalla, from Manila, Philippines, is a creative visionary from Pangasinan. Driven by a deep passion for artistic innovation, IJWBAA challenges norms and expands creative boundaries. Influenced by Rothko's minimalism, Venus de
  • Israel Lopez
    Mexican digital artist, PhD in Art and Culture, Master of Arts for Architecture, Art and Design Division of the University of Guanajuato. His work is constituted in the manipulation of digital media and its relationship with the human body,
  • Pathway A
    Pathway Series. 29" by 23", 2000. Algorithmic pen and ink drawing on paper with 2 gold leaf elements. In this work the "all-over" distributions are linear random walks with numerous iterations. The text-like inscription is an
  • Pathway B
    Pathway Series. 29" by 23", 2000. Algorithmic pen and ink drawing on paper with 2 gold leaf elements. In this work the "all-over" distributions are linear random walks with numerous iterations. The text-like inscription is an
  • Pathway 1
    Pathway Series. 29" by 23", 2000. Algorithmic pen and ink drawing on paper with 2 gold leaf elements. In this work the "all-over" distributions are linear random walks with numerous iterations. The text-like inscription is an
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