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SandScape
2002
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2003
SandScape is a tangible interface for designing and understanding landscapes through a variety of computational simulations using sand. Users view these simulations as they are projected on the surface of a sand model that represents the terrain.
How to Follow Global Digital Cultures, or Cultural Analytics for Beginners
2009
Manovich, Lev. How to Follow Global Digital Cultures, or Cultural Analytics for Beginners http://manovich.net/index.php/projects/how-to-follow-global-digital-cultures.
Understanding Scanlation: How to read one million fan-translated manga pages
2010
Manovich, Lev and Jeremy Douglass and William Huber. Understanding Scanlation: How to read one million fan-translated manga pages http://manovich.net/index.php/projects/understanding-scanlation.
Residues
1992
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1992
video
"Residues" is a multimedia installation which mixes materials and supports as large photographies, pigments, water, oil reflexion, electronic screens which are present in the same space with the electronic images. The screens show post-production
Some pigeons are more equal than others
2012
Unusual, bright-colored birds were observed on the Piazza San Marco in the summer of 2012, and in Copenhagen in the same year similar birds were sighted, which largely maintained close proximity to pigeons. When looking at the birds more closely,
L'éthique otaku : Tous seuls ensemble (la crise de contact et autres troubles des sens)
1999
Benayoun, M.. L'éthique otaku : Tous seuls ensemble (la crise de contact et autres troubles des sens) http://www.academia.edu/35783297/L%C3%A9thique_otaku_Tous_seuls_ensemble_la_crise_de_contact_et_autres_troubles_des_sens_1999.
Kidnap
1998
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1998
In this sensational precursor to Big Brother, two volunteers were selected from a few hundred applicants and subsequently kidnapped for a period of 48 hours. Selected finalists were chosen at random and put under surveillance. Following this
The Giver of Names
1990
The Giver of Names is quite simply, a computer system that gives objects names. The installation includes an empty pedestal, a video camera, a computer system and a small video projection. The camera observes the top of the pedestal. The
“Subversive Cartography: challenging the accuracy of the official map” Catalogue essay for Virtual Net Art Museum Collection Canada (VMC)
2007
Alstad, Michael. “Subversive Cartography: challenging the accuracy of the official map” Catalogue essay for Virtual Net Art Museum Collection Canada (VMC) Gallery TPW (May 2007):
Sylvia Grace Borda: Camera Histories
2014
Travis, Rebecca. Sylvia Grace Borda: Camera Histories Photomonitor UK 2014 (January 2014): http://www.photomonitor.co.uk/2014/01/sylvia-grace-borda-camera-histories/.
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