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  • Dr. Catherine B. Fisher has been an exhibited and published artist for over forty years. She lives in the Sutherland Shire of New South Wales, Australia. Her artworks are nationally award-winning & multi-disciplinary - printmaking, digital art,
  • DOMINGUES, DIANA MARIA G. Reinvenção da vida com sistemas enativos afetivos por pesquisas de Arte e TecnoCiência dos “Novos Leonardos” In Das Artes e seus Percursos Sensíveis, edited by Walmeri Ribeiro and Claudia Marinho and Patrícia Caetano,
  • DOMINGUES, DIANA MARIA G. Sistemas enativos biocíbridos: sinestesia e afetividade na reengenharia da vida In Tecnologia e Saúde, edited by Ana Paula MACHADO VELHO and Cássia Kely FAVORETTO COSTA and Miriam Ieda YAMAGUCHIVol.1. , 39-77. Maringá:
  • Watchers
    "Watchers" are ambient light sculptures concerned with the rhythmic nature of television light and how it is used to seduce and compel the viewer into a kind of hypnotic and passive inaction. Detection of movement has been at the core of our
  • Chronotopia is a dance theater re-imagining of the one of the oldest Indian epic poems: the Tamil epic Silappatikaram. Attakkalari's multi-media dance production is an episodical journey, which explores the movement of five performers through a
  • Lucia Santaella and E MOTTA and DIANA MARIA G DOMINGUES and C. TURELLY. Arte do Corpo Biocibrido em sistemas enativos-afetivos In Dança sob o signo do Multiplo, edited by Lucia SANTAELLA and Everson MOTTA Vol.1. , 41-65. São Paulo: Estação das
  • Lucia Santaella and E MOTTA and C TURELLY and DIANA MARIA G DOMINGUES. Arte do Corpo Biocibrido em sistemas enativos-afetivos E-Book In Arte do Corpo Biocibrido em sistemas enativos-afetivos E-Book, edited by Lucia SANTAELLA and Everson MOTTA ,
  • DOMINGUES, DIANA MARIA G and TIAGO FRANKLIN R LUCENA. Inovação Disruptiva e tecnologias criativas na reengenharia do urbano: modos de vida expandidos, cognição e afetos com sistemas enativos In Moda Inclusiva: Para Todos, edited by Ana Mery Sehbe
  • The computerised light installation 'Dialogue in Transition' employs the transitory character of the 110-meter-long “netwalk” of the EnBW building in Stuttgart, which connects all parts of the complex. Twelve 35 cm-high light sticks with white LEDs
  • Organization: Regional Ministry for Culture and Tourism of the Autonomous Government of Extremadura Office for Cultural Heritage. Idea and Concept: Claudia Giannetti. Curators: Claudia Giannetti, Antonio Franco, Peter Weibel. International