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  • Metroscopes -
    Liverpool city has formalised sibling relationships with a number of other cities around the globe. These arrangements respond to similarities of culture, architecture or commerce and provide a sense of perspective, of a commonality that both
  • John Maeda
    John Maeda is an artist, graphic designer, computer scientist, university professor and author. He is world-renowned for his work with web-based interactive motion graphics and an advocate for the notion of simplicity in the digital age. Maeda was
  • Azimuth 77 - video
    Sebastián Sánchez Zelada and Marcello Mercado Azimuth 77, 2006, Performance, 21 min. 26 sec., stereo 4:3 colour http://vimeo.com/59615529 This video is about a serie of performances that relates specific points in the tracking of Iridium-mobile
  • The making of a nomenclature: José Iges on Radiophonic Art
    Sanchez Cardona, LM. The making of a nomenclature: José Iges on Radiophonic Art In Radio Art and Music. Culture, Aesthetics, Politics, edited by Pim Verhulst and Jarmila MildorfLondon: Lexington Books, 2020.
  • Sonar. Navigation // Location of Sound in the Artistic Practices in the 20th Century
    Sanchez Cardona, LM. Sonar. Navigation // Location of Sound in the Artistic Practices in the 20th Century. Documentos DAH, Mexico: Universidad Autónoma Metropolitana/Juan Pablos Editor, 2018.
  • ANIMAL NATURE
    Animal Nature is an exhibition concept that has developed out of an ongoing, expanding web-project entitled Criminal Animal found at www.criminalanimal.org. Criminal Animal is intended to bring together a wide range of artists, critics, scholars
  • Annabel Castro
    Artist/academic. She studied an MsC in information technology applied to arts at Chalmers University of Technology and a PhD in Digital arts and experimental media at University of Washington. She has published articles in journals such as Artnodes,
  • Approximations to the New Narrative of Jalisco
    Sanchez Cardona, LM. Approximations to the New Narrative of Jalisco. Guadalajara: Universidad de Guadalajara/Fonca, 2000.
  • An image no for the eyes made with words not for the ear
    Sanchez Cardona, LM. An image no for the eyes made with words not for the ear In Folios Reverberations: Art and Sound in the MUAC Collections, edited by Israel MartínezMexico: University Museum of Contemporary Art MUAC, 2017.
  • Without Firm Ground – Vilém Flusser and the Arts -
    “Ins Universum der technischen Bilder” or “Lob der Oberflächlichkeit“ – with such programmatic titles Vilém Flusser (1920–1991) advanced to become one of the most influential thinkers to deal with communication and media in the 20th century. Flusser
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