Archive
Search
Artist Index
Institution Index
Thesaurus
[Default Title]
ADA Help
About
(current)
Magazine
Tools
Community
Feedback
Join
Theme
Theme
Light
Dark
Auto
Login
Login
Archive Search
Search
Date
1979–1989
1990–1995
1996–2000
2001–2005
2006–2010
2011–2015
2016–2020
2021–now
Genre
Digital Animation
Digital Graphics
Net Art
Social Network
Database Art
Bio Art
Digital Performance
Nano Art
Robotics
Telematics
Installations
Game Art
Glitch Art
Digital Activism
Events
Festival
Exhibition
Other
Conference
Reset
Artist
Scholar
Work
Work with Video
Literature
Institution
Event
Feature
All Categories
1
…
(more)
57
58
59
60
(current)
61
(more)
63
sort by relevancy (down)
Sort by Alphabeth (up)
sort by date (up)
sort by category (up)
Nell Tenhaaf: dDNA (d is for dancing)
2002
-
2002
... for dancing)Institution: Paul
Pet
ro Contemporary ArtComment:
Paul
Pet
ro Contemporary Art
Pet
robras Realidad Virtual
1998
-
1998
...Event:
Pet
robras Realidad VirtualInstitution: Centro Cultural Candido...
Tessarae of Venus
2009
-
2009
... related drawings. McPhee bor
row
s from the tectonics of... in the transition from
pet
roleum to alternative energy...
Pet
roliana curated by Elena Sorokina
2007
-
2007
...Event:
Pet
roliana curated by Elena SorokinaInstitution: MOSCOW MUSEUM OF MODERN...
Pet
roliana curated by Elena Sorokina
2007
-
2007
...Event:
Pet
roliana curated by Elena SorokinaInstitution: MOSCOW MUSEUM OF MODERN...
As Falling Falls
1996
-
1996
... dance company (at the Trisha B
row
n Studios in New York). The sound... of dancers of the Stephen
Pet
ronio Dance Company.
Pet
ronio...
Don Ritter
... (MIT), and film theorist Vlada
Pet
ric (Harvard). Ritter has...
To Be Is To Get Cut (Piki Piki)
2019
-
2019
In To Be Is To Get Cut, I consider the sociopolitical structures and behaviors that are otherwise hard to realize from inside the microcosm of society. To do that, I use digital media. That allows me to create a self-sustained ecosystem that exists
Placeholder: Landscape and Narrative in a Virtual Environment
1992
-
1993
... represented as two-dimensional
pet
roglyphs. When a participant...
1
…
(more)
57
58
59
60
(current)
61
(more)
63