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... each one to be wirelessly identified. The opening and closing of a bottle is also detected. When a bottle is placed onto the stage area of the table and the cork is removed, the corresponding instrument becomes audible. A pattern of colored light is...

... blocks as possible; others simply target one specific piece of code or an unsuspecting neighbour. Processes are put on a stage like actors in a machine theatre. Each piece of code has a descriptive name and displays behaviour to match.

...“It feels like home” is an online intervention that uses the synthetic space of the browser as a stage to unfold an interactive, performative and generative virtual experience. Experimenting with the notion of time during a pandemic and isolation, “It feels like home”...

... cameras was combined with pre-recorded video and real time effects, which were generated by Moldeo and projected onto the stage walls. The video documentation for the performance was edited from the material recorded with the live cameras. The...

... calculate all reflected light. This way, the lighting in every nook and cranny is accurately rendered. Leading the rendering stage of the process was Martin Moeck, a faculty member of KU's Department of Architectural Engineering and an expert in using...

... Internet netcast between Helsinki, Tokyo and New York on 5th of June 1998. TRIAD NetDance took place simultaneously on three stages in three different countries. The dancer, choreographer Molissa Fenley was dancing in New York, at Dance Theater Workshop. The...

... staircase. Sitting on that air-cushioned floor, visitors could enjoy performances and talks that were given on a small stage in the centre (though this functionality was sometimes undermined by the audience's preference for wildly jumping around on the...

... dark room with lighted images on the walls. The installation is divided in three situations simulating three different stages of the shamanic trance. Theoretical approaches inform that the shaman can experience three levels during the trance. In...

... Lighting Design: Jason James TAS Network Engineer: Alexei Blinov RU/UK Network Communication: Danja Vasiliev GER/RU Kinetic Stage Engineer: Guy Paramore TAS Sound Engineer: Greg Gurr TAS Storyteller: Jim Woff NSW Digital Stage Technique / Web Design: Linda...