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  • Extensions -
    Extensions (1999-2000) was my contribution to a group project called "Reaching", which set out to look at networking as a metaphor for various ways of communicating or of "reaching" from one point or person to another. The other artists were Susan
  • Die schöne Kunst des Spiels
    Bruns, Karin. Die schöne Kunst des Spiels In Timeshift. Die Welt in 25 Jahren / The World in Twenty-Five Years, edited by Gerfried Stocker and Christine SchöpfOstfildern-Ruit: Hatje Cantz, 2004.
  • Leonardo Timeshift
    Malina, Roger F.. Leonardo Timeshift In Ars Electronica 2004: Timeshift: Die Welt in 25 Jahren/ Timeshift: The World in 25 Years, edited by Gerfried Stocker and Christine SchöpfOstfildern-Ruit: Hatje Cantz, 2004.
  • i2tv - Interactive TV - video
    I"TV : INTERACTIVE IMMERSIVE TV 1999 / 01 i2tv is a model for an electronic arena that explores a new form of live artistic production integrating on-line participants with participants at a real physical location. Participants take part in a
  • Ceci n'est pas un nike -
    Ceci n'est pas un nike talks about on line creation and its conditions. Its point of departure is the conceptual confusion between interface and surface. Magritte's pipes are its strongest referencs and it updates the discussion about
  • Sea-Changes -
    In Sea-Changes (1997-98) artists age 50 or over, from a variety of disciplines, were invited to submit personal biographical materials to a common database. The original idea was to have them use that database as a basis from which create fictional
  • Unsere Regenbogenwelt
    Weibel, Peter and Otto E. Rössler. Unsere Regenbogenwelt In Ars Electronica 1992: Die Welt von Innen - Endo and Nano, edited by Karl Gerbel and Peter Weibel, 13-21. Wien: PVS Verleger, 1992.
  • Landschaft 2.0 -
    Event: Landschaft 2.0Institution: Edith Russ SiteComment:
  • StarDotStar -
    Event: StarDotStarInstitution: Site GalleryComment:
  • Kunstfrühling 2014 -
    Marcello Mercado Van Gogh Variationen Die Installation setzt sich mit der Beziehung zwischen biologischen, technologischen und künstlerischen Formen auseinander. Mittels eines Systems von Datentransformation und –übersetzung, das in der Erschaffung
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