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Medien Kunst Interaktion. Die 80er und 90er Jahre in Deutschland
2000
Daniels, Dieter and Rudolf Frieling. Medien Kunst Interaktion. Die 80er und 90er Jahre in Deutschland. Wien, New York: Springer, 2000.
Hot Spots - Texte in Bewegung und die elektronischen Medien
1996
Frieling, Rudolf. Hot Spots - Texte in Bewegung und die elektronischen Medien Kunstforum 133 (1996): 475-477.
Rudi Knoops
Rudi Knoops is a PhD researcher at KU Leuven / LUCA School of Arts and is affiliated with the Inter-Actions research group at the Media, Arts and Design faculty (MAD-faculty) in Genk, Belgium. His practice-based PhD in audiovisual arts – for which
ARTEC 89
1989
-
1989
The theme of the Biennale is 'the possibility for art and technology: high technology art as modern art, computers and artistic expression, high technology art as a means of expression, high technology art in urban environments'. It offered and
Sjoukje van der Meulen
Sjoukje van der Meulen is an art historian, theorist and critic with a research focus on new media and digital culture. She received her PhD from the GSAPP at Columbia University (New York, 2009). She lived in the United States for 15 years
Medienkunst, Gewalt, Staat und Subversion. Ein Gespräch mit Rudolf Maresch
1993
Weibel, Peter. Medienkunst, Gewalt, Staat und Subversion. Ein Gespräch mit Rudolf Maresch Symptome, Zeitschrift für epistemische Baustellen 12 (1993): 39-47 and 79f.
Anschauliches Denken: Zur Einheit von Bild und Begriff
1972
Arnheim, Rudolf. Anschauliches Denken: Zur Einheit von Bild und Begriff. Köln: DuMont, 1972.
Kunst und Sehen: Eine Psychologie des schöpferischen Auges
1978
Arnheim, Rudolf. Kunst und Sehen: Eine Psychologie des schöpferischen Auges. : De Gruyter, 1978.
Territorism
2002
-
2002
video
Dynamic video projection Project for the facade of Kunsthaus Bregenz (AT) Assistance: Patricia Köstring Sound: Nico Kirisits Post-production: Peter Koger, Manuel Maxl Recording and projection: Mäser digital media/Daniel Flatz Performer
The Coming and Going of Images
2000
Arnheim, Rudolf. The Coming and Going of Images Leonardo 33, no. 3 (2000): 167-168.
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