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1,4..19
2013
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2014
Animal experimentation is a common practice for people. We have used the standard metaphor of a mouse in a labyrinth to study the mechanics of how reality of shaped. The mouse is rigidly influenced by its own unrealized reality. We observe how it
Landschaft 2.0
2009
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2009
Event: Landschaft 2.0Institution: Edith Russ SiteComment:
StarDotStar
1998
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1998
Event: StarDotStarInstitution: Site GalleryComment:
Map Japan Media Arts Festival
1999
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2010
MAP = Media Arts Plaza is the official site which supports creative activities and development of media arts. Starting with an offering for subscriptions, announcement of award-winning works, information about exhibition of award-winning works,
handSCAPE
1998
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1999
HandSCAPE is a vectorizing digital tape measure as an input device for digitizing field measurements, and visualizing the volume of the resulting vectors with computer graphics. Using embedded orientation-sensing hardware, HandSCAPE captures
Life Spacies
1997
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1997
video
"Life Spacies" is an interaction and communication space, where remotely located visitors can interact with each other through evolutionary forms and images. "Life Spacies" enables visitors to integrate themselves into a 3 dimensional complex
Shades of Absence: Governing Bodies
2013
video
“Shades of Absence: Governing Bodies" Addresses artists who have been censored by - or due to threats by - high members of the U.S. government. Premiered in 2013 at "Manifest:AR," curator Joseph Hale, Corcoran Gallery of Art/Corcoran School of Art
Narcissus' Well: Transformations
Live audio-visual transformation and dematerialization of the viewer. [prototype] (source: http://www.zakros.com/projects/narcissus/index.html)
Statement on Holopoetry
1994
Kac, Eduardo. Statement on Holopoetry In Creative Holography Index, edited by Andrew PepperVol.2. 1, Bergisch Gladbach: Monand Press, 1994.
Statement on Holopoetry
1994
Kac, Eduardo. Statement on Holopoetry In Creative Holography Index, edited by Andrew PepperVol.2. 1, Bergisch Gladbach: Monand Press, 1994.
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