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  • Sounds [That] Are Not. Is there any time left?
    Sanchez Cardona, LM. Sounds [That] Are Not. Is there any time left? In Towards a Non-Anthropocentric Ecology: Victoria Vesna and Art in the World of the Anthropocene, edited by Ryszard W. KluszczynskiArt+Science Meetings, Gdańsk: LAZNIA Centre for
  • Helen Varley Jamieson
    Helen Varley Jamieson is a writer, theatre practitioner and digital artist from New Zealand, based in Germany. She holds a Master of Arts (Research) investigating cyberformance - live performance on the internet – which she has practiced since 1999.
  • Shifting Perspectives
    Borda, Sylvia Grace. Shifting Perspectives. Vancouver: Heritage House Publishing and Surrey Art Gallery, 2020.
  • Shifting Perspectives
    Borda, Sylvia Grace, ed. Shifting Perspectives. Vancouver: Heritage House Publishing and Surrey Art Gallery, 2020.
  • Lauren Lee McCarthy
    Lauren Lee McCarthy (she/they) is an artist examining social relationships in the midst of surveillance, automation, and algorithmic living. She is a 2021 United States Artist Fellow, 2020 Sundance New Frontier Story Lab Fellow, 2020 Eyebeam Rapid
  • /source/ (postfactual) -
    ... cursor, which is difficult to locate, to control and direct, as isolated potential ‘facts’ pop up in interaction with the cursor :...
  • BODYFRACTION
    video, 7.40’ The video Bodyfraction parallels microscopic images of fragments of the artist’s body (tooth enamel, skin, nails, hair etc.) with recordings of drawings and light-sensitive objects created on their basis. Drawings were digitally
  • Bodyfraction
    Tomislav Vignjević. Bodyfraction Nova Gorica: Municipal Gallery Nova Gorica (2020).
  • For a concerted Collection, Documentation and Conservation Strategy -
    ISEA 2020 Montreal - International Symposium on Electronic Art - Montreal (Canada) - Keynote Online
  • CORPOREAL ABSTRACTIONS - MICROPORTRAIT -
    Vacuum formed plexi-glass, light projection Series (6): Tooth, Eyelash, Skin, Hair, Tooth v.2, Nail Dim: 80 x 90 cm (each) This series of relief light-sensitive works was conceived on the basis of computer-modified microscopic images of particles of
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