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  • Vignjević Tomislav. Insight into body matter – Bodyfraction by Uršula Berlot Mestna Galerija Nova Gorica (2020).
  • Vignjević Tomislav. Insight into body matter – Bodyfraction by Uršula Berlot Mestna Galerija Nova Gorica (2020).
  • Robles-Angel, Claudia. The Human Body as an Audiovisual Instrument. Sound and Image Aesthetics and Practices. Andrew Hill editor, Routledge. ISBN 9780367271466. 1st (2020): chapter 21.
  • Paul Hertz is an independent artist, printmaker, and curator who works with algorithmic processes. From 1971 to 1983, he lived and worked in Spain, where he collaborated with actors and musicians. He earned a BA in Fine Arts from Brown University
  • Helen Varley Jamieson is a writer, theatre practitioner and digital artist from New Zealand, based in Germany. She holds a Master of Arts (Research) investigating cyberformance - live performance on the internet – which she has practiced since 1999.
  • Kleindients, živa and Peter Tomaz Dobrila, ed. Tense Present. Maribor: KIBLA, 2020.
  • Lauren Lee McCarthy (she/they) is an artist examining social relationships in the midst of surveillance, automation, and algorithmic living. She is a 2021 United States Artist Fellow, 2020 Sundance New Frontier Story Lab Fellow, 2020 Eyebeam Rapid
  • Mari Amman (b. 1984) works globally creating afferent artworks. Images, installations, poetry, performance, sculpture, and artistic research bring forth geological empathy and parietal aspects of perception, sparking inquiry into proposed divides
  • Tomislav Vignjević. Bodyfraction Nova Gorica: Municipal Gallery Nova Gorica (2020).
  • Moore, Lila. Roy Ascott, Artist's Profile https://wrldrels.org/2020/08/13/roy-ascott/ [30.08.2020].