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  • Vectorial Elevation, Relational Architecture 4
    "Vectorial Elevation" was an interactive art project which allowed thousands of people from 89 countries to control 18 robotic searchlights with 126,000 watts of power and link Cyberspace with Mexico’s most emblematic urban landscape. Mexico City’s
  • File Prix Lux for Media Flow -
    The 5th edition of FILE RIO - Electronic Language International Festival - happens this year at Oi Futuro Cultural Center - Flamengo and Ipanema, from October 26 to November 07, 2010.
  • John F. Simon J.
    John F. Simon, Jr. is an artist who uses programming language as an activated extension of written language. His software programs are displayed on the Web and also on wall-mounted LCD screens. His software compositions never repeat. The beautiful
  • Fugitive -
    Fugitive is an interactive artwork which (via a machine vision system) interprets gross bodily movement as an indicator of "mood". The user moves through an impressionistic visual experience based in a digital video database. The question of
  • Ten Thounsand Cents
    "Ten Thousand Cents" is a digital artwork that creates a representation of a $100 bill. Using a custom drawing tool, thousands of individuals working in isolation from one another painted a tiny part of the bill without knowledge of the overall
  • Sprache Sehen -
    Computer-controlled interactive light installation Polytechnic school Bregenz (AT), extension Baumschlager/Eberle, competition, realization 1996–8 [English title, 'Seeing Language'] In each of the three staircases of the new building of the HTL
  • Speakeasy (Change from Three Ways) -
    Speakeasy is a telephone service that connects new immigrants with bilingual community members who are familiar with local resources and social service options. This project provides access to language interpretation wherever it is needed. To use
  • Mark Amerika
    Net artist Mark Amerika was born in the American city of Miami. He received a BA from the University of Florida in 1985. In 1997 he was awarded a MFA from Brown University, where he was employed as a creative writing fellow and lecturer for two
  • History of Computer ArtVI. Net Art: Networks, Participation, Hypertext VI.3 Net Art in the Web
    Thomas Dreher. History of Computer Art VI. Net Art: Networks, Participation, Hypertext VI.3 Net Art in the Web http://iasl.uni-muenchen.de/links/GCA-VI.3e.html#HTML.
  • To Be Is To Get Cut (Piki Piki) -
    In To Be Is To Get Cut, I consider the sociopolitical structures and behaviors that are otherwise hard to realize from inside the microcosm of society. To do that, I use digital media. That allows me to create a self-sustained ecosystem that exists
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