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Heir of cybernetic art, artist and programmer, Antoine Schmitt uses programming as a material to produce installations, CD-ROMs, online exhibitions, and performances in which he confronts the public or performers with autonomous abstract dynamic

Eduardo Kac is internationally recognized for his telepresence and bio art. A pioneer of telecommunications art in the pre-Web '80s, Eduardo Kac (pronounced "Katz") emerged in the early '90s with his radical works combining telerobotics and living

A New York City native, Matthew Ostrowski is a composer, performer, and installation artist. Using digital tools and formalist techniques to engage with quotidian materials -- sonic, physical, and cultural -- Ostrowski explores the liminal space

Zhan Wang is widely recognized as one of China's leading contemporary artists today. Working in installation, photography and video, his sculpturally informed practice challenges ideas of landscape and environment, addressing the urban, rural,

Paula Perissinotto is an accomplished and experienced curator and festival organizer who has made significant contributions to the field of new media, contemporary art, and digital culture. Her work with the FILE International Festival of Electronic

Myriam Thyes, *1963 in Luxembourg, grew up in Zurich, lives in Düsseldorf. 1986-92 Düsseldorf Art Academy, Prof. Nan Hoover. Exhibitions and festivals since 1994, including: 2004 Marl Media Art Awards; Transmediale Berlin; 2005 Kunstfilm Biennale

Pedro Alves da Veiga is a Portuguese transdisciplinary artist and researcher. He holds a degree in Computer Science (Nova University of Lisbon), a Post-graduation in Advanced Studies of Digital Media Art (Aberta University) and a PhD in Digital

Susan Collins (b. 1964 London) is one of the UK's leading artists working with digital media. For the past decade the collision between the real and the artificial or virtual has been a key area of investigation. Collins works across public, gallery

Pierre Jolivet originally from Paris, is an artist who's currently based in Dublin, Ireland. Pierre started in the early eighties, as a French pioneer under the moniker of Pacific 231, in the industrial and power electronics musical fields before

Martin Kusch is particularly interested in the influence of digital technologies on our way of thinking and on our perception of the body and space. Following his studies in art history, philosophy, and painting in Berlin and in media art with Peter