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  • Huichol Ghost -
    Archival Digital Print, Sizes: 8”x10” and 13”x19” Pigment Inks on cotton rag substrate or Light Jet digital photo prints. (Also available larger custom sizes or NFT by special order) Date created: 2016 This image wasn’t consciously designed or built
  • DOMINGUES, DIANA MARIA G. Da remixagem a software arte: o código oculto e o aparato tecnológico na cibercomunicação 2º Simpósio Arte Contemporânea: história, teoria e crítica (2007).
  • DOMINGUES, DIANA MARIA G. Urbano cíbrido: átimos calmos em comunicação ubíqua e móvel por conexões transparentes II Simpósio da ABCiber (2008).
  • Pixelroller -
    PIXELROLLER VARIOUS PROTOTYPES 2005-2010 PixelRollers do exactly what their name suggests. They are performance tools for rapidly applying any pixel based graphics (user-generated content from the internet, your phone, a dedicated camera, etc)
  • DATA DYNAMIX -
    POINT TO POINT, Mark Napier Point to Point is a public art work that uses the motion of people in public space to drive an evolving graphic display. The display is projected onto the wall in the space and can be viewed as well on the internet; web
  • Kisseleva Olga and Pelt Jean-Marie and Toma Yann and Vesna Victoria and Mangin Benoit and Laval-Jeantet Marion and Lageira Jacinto and Glissant Edourad and Clement Gilles. Aesthetics of the Worst, the first simposium of the Centre
  • Berlot, Uršula. Transparent Body: Art, Medicine and Technology Zbornik 8. kulturološkega simpozija: Telo in tehnologija. Ljubljana: Kult.co, društvo kulturologov (2015).
  • Frauenfelder, Mark. Do-It-Yourself Darwin. Karl Sims Invites You to Play God Among the Machines Wired Magazine 6.10 (1998).
  • Sims, David. Osmose: Is VR Supposed to be this Relaxing? Computer Graphics and Applications (IEEE Computer Society) 16, no. 6 (November 1996): 4-5.
  • Sims, Karl. Choreographed Image Flow The Journal of Visualization and Computer Animation 3, no. 1 (January/March 1992): 31-43.