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Paravent
1991
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1991
Video sculpture In co-production with Gudrun Bielz The 'Paravent' functions as a projection screen, displaying a video of a car wash routine captured from the inside of a car. The 'Paravent' shifts its normal function as a private object and becomes
Opto-Isolator
2007
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2007
Opto-Isolator (2007: Golan Levin with Greg Baltus) inverts the condition of spectatorship by exploring the questions: "What if artworks could know how we were looking at them? And, given this knowledge, how might they respond to us?" The sculpture
Mechthild S Feist
Artist: Mechthild S FeistComment:
Artificial Reality: Past and Future
1991
Krueger, Myron. Artificial Reality: Past and Future In Virtual Reality: Theory, Practice, and Promise, edited by Sandra Helsel and Judith Paris Roth, 19-25. London: Meckler Publishing, 1991.
Flying Crane
1996
Gallery view from outside. The artist's first robotic brush strokes were achieved in 1987. The strokes achieve spontaneous qualities using coded procedures. The software generates a brush form and requests a paint brush. The artist places a
Medals of Dishonour
2009
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2009
Event: Medals of DishonourInstitution: British MuseumComment:
Think about the people now
1990
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1990
video
... but minor de
tail
s and accounting only...
The Dante Cupboard
1966
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1966
This mixed-media sculpture extended over the gallery floor so that the viewers had to walk over it.
New-media arts-based public engagement projects could reshape the future of the generative biology.
2020
Ahmedien, Diaa. New-media arts-based public engagement projects could reshape the future of the generative biology. Medical Humanities , no. https://mh.bmj.com/content/early/2020/05/28/medhum-2020-011862 (2020).
Sylvia Eckermann
Sylvia Eckermann In Sylvia Eckermann's work, a discursive engagement with form and media culminates in critical artistic reflections about our entanglement as individuals in current socio-economic situations. Eckermann works with various media
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