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Ryan, Marie-Laure. Narrative as Virtual Reality: Immersion and Interactivity in Literature
and Electronic Media. Baltimore: The John Hopkins University Press, 2001.

Lintermann, Bernd. Multimediale Partnerschaften - Perspektiven von Tanz und Technologie In Maschinen, Medien, Performances, edited by Martine LeekerBerlin: Alexander Verlag, 2001.

Hafner, Cornelius. Die Kathedrale des Krieges Süddeutsche Zeitung (10th October 2001 2001).

Palmer, Daniel. The Art of Real Time In Politics of a Digital Present: An Inventory of Australian Net Culture, Criticism and Theory, edited by Hugh Brown and Geert Lovink and Helen et. al. Merrick, 215-223. Melbouren, AUS: Fibreculture, 2001.

Maharaj, Sarat. Avidya: Non-Knowledge Production in the scene of Visual arts Practice In Education, Information, Entertainment - Current Approaches to Higher Artistic Education, edited by Ute Meta BauerVienna: Selene Verlag, 2001.

Scholder, Amy and Jordan Crandall, ed. Interaction: Artistic Practice in the Network. New York: Distributed Art Publishers, 2001.

Tomas, David and Michele Theriault. Duction. Bohemia, NY: Intra Media Publishing, 2001.

Donath, Judith. Mediated Faces In Cognitive Technology: Instruments of Mind. Lecutre Notes in Computer Science. 4th International Conference, edited by Meurig ; Nehaniv,C. L. ; Dautenhahn BeynonVol.2117. , 373-390. Coventry, UK: 2001.

Frohne, Ursula. "Show and Tell, The Discursive Idea of Things" and "Horror Vacui" In (dis)Locations, , 512-61; 84-93. Ostfildern-Ruit: Hatje Cantz, 2001.

Hill, Leslie and Helen Paris. Guerilla Performance and Multimedia Handbook. London, New York: Continuum, 2001.