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  • Raphael Fonseca. “Os trópicos parecem conspirar contra a memória” ArtNexus , no. 94 (September/November 2014).
  • Raphael Fonseca. Os trópicos parecem conspirar contra a memória ArtNexus , no. 94 (September/November 2014).
  • World Wide VIP -
    Three accessories identify a VIP: his/her passport, cell phone and international credit card. One sculpture condenses these three products into one. To attain this trophy, visitors must take a journey dotted with contradictory messages vaunting the
  • Fonseca, Raphael. Os trópicos parecem conspirar contra a memória ArtNexus , no. 94 (September/November 2014).
  • The "Tropospheric Laboratory" allows insights into cloud cores and other matter of the apogee. The installation narrates the synthesis of clouds and shows varying conditions and combinations of art and science in the absence of weight. The
  • Robertson-von Trotha, Caroline Y. and Jesús Muñoz Morcillo, ed. Öffentliche Wissenschaft und Neue Medien. Vol.1. ISBN 978-3-86644-844-5, Karlsruhe: KIT Scientific Publishing, 2012.
  • Fleischmann, Monika and Wolfgang Strauss. Verborgenes Wissen in Wissensnetzen, Medienkunst und Wissens(chafts)vermittlung In Öffentliche Wissenschaft und Neue Medien, edited by Caroline Y. Robertson-von Trotha and Jesús Muñoz MorcilloVol.1. ISBN
  • Mirror -
    A dark room with a large vibrating mirror deforms the reflection of the visitor. (The installation is to be visited individually.) At first the vibrations are so subtle that you might wonder if it are your own eyes that are having trouble to focus.
  • Huhtamo, Erkki. Slots of Fun, Slots of Trouble: Toward an Archaeology of Electronic Gaming In Handbook of Computer Games Studies, edited by Joost Raessens and Jeffrey Goldstein, 1-21. Cambridge, MA: MIT Press, 2005.
  • Parker, Kayla and Stuart Moore. Father-land: troubled dialogues in a divided island Arts Institute Research Stories 2016/17 1 (January 2018): 17-18.