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  • Thun-Hohenstein, Christoph. Ruth Schnell, 2006 In 21 POSITIONS, edited by Christoph Thun-HohensteinNew York: Austrian Cultural Forum New York, 2006.
  • 400s -
    henrik menné 400s, 2010 Stearin, iron, wood, various electronics Supported by: The Danish Arts Council Committee for Visual Arts Courtesy: Galleri Tom Christoffersen, Copenhague this machine-sculpture is specially made for the exhibition and
  • Tilman Baumgartel, Wailing Boers, Josephine Bosma, Florian Cramer, Frederic Madre, Annette Schindler, and Pit Schultz. INSTALL.EXE/JODI. Berlin: Christoph Merian Verlag. Switzerland: In association with exhibition at [plug in] Kunst und Neue
  • Christoph Voegele and Konrad Bitterli and Sabine Rusterholz and Yvonne Volkhart and Margrit Zuckriegl and Alexander Hahn. Alexander Hahn - Werke/Works 1976-2006. Heidelberg: Kehrer, 2007.
  • Eikmeyer, Robert.. "Eduardo Kac : Interview", published in the book Face/off – Body Fantasies. 1 th ed.Frankfurt: Keller, Christoph, 2004.
  • Arc de Triomphe -
    Permanent exhibition Exhibition design for the 200 years of the Arc de Triomphe Conception with Christophe Girault
  • Mapping the void -
    Mapping the Void is a series of urban performances by Pessi Parviainen and Christophe Bruno. The performances study the relations between different physical places and the mapping of the global mediascape as we know it.
  • Human Browser -
    A human being embodies the World Wide Web Human Browser is a series of Wi-Fi performances based on a Google Hack, where the usual technological interface is replaced with the oldest interface we know: the human being. Winner of the Share
  • Dreamlogs -
    “You can only command language by obeying it” (G. Perec & M.Bénabou, P.A.L.F. project, OuLiPo 1964) Dreamlogs are an idea association engine. They propose another way to surf on the Internet, by disentangling the discourses that have interlaced
  • Non-weddings -
    Non-weddings was inspired by a drawing by Jacques Lacan in “L’instance de la lettre dans l’inconscient”, as I realized that the Internet search engines had some similarities with this presentation (cf Google Image). The drawing by Lacan was