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Geometria do Êxtase
1982
In this poem we look straight down at the top surface of a cube. An invisible light source orbits the cube, casting verbal shadows that can be seen gyrating clockwise, much in the manner of a sundial. As new shadows are cast, the letters permutate
Biopoetry (series/concept 1999-present)
1999
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2009
The biopoem "Erratum I" is what Kac calls a "biotope", that is, a living work that changes in response to internal metabolism and environmental conditions, including temperature, relative humidity, airflow, and light levels in the exhibition space.
Space Poetry and Art (series/concept 1986-present)
1986
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2022
Space Poetry and Art (series/concept 1986-present)Artist: Eduardo KacComment:
Inner Telescope (series)
2017
Inner Telescope (series)Artist: Eduardo KacComment:
Birds in a Hat
1968
Birds in the Hat (1968), presents an iconic example of an early plotter drawing, a printing technique that allowed for an ink pen to be guided by digital input. Executed using an IBM 7094 computer and a drum plotter, this work mathematically
PATRICK LICHTY – ARTIFACTS
2015
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2015
In his solo exhibition ‘Artifacts’ the American artist Patrick Lichty presents results of his longterm work with digital media. Lichty is a conceptual artist, curator, and theorist exploring how media shape our perception of reality as well as the
Fluxus pieces Performance series
1990
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1990
Fluxus pieces Performance series with Dick Higgins
HEK Net Works. Series of online and mobile artworks
2020
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2022
Event: HEK Net Works. Series of online and mobile artworksInstitution: HEK House of Electronic ArtsComment:
Rodent Activity Transmissions (RAT) systems
2016
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2016
This multipart work uses real-time data gathered from a colony of naked mole-rats, allowing a peek into their lives. The project reflects Julie Freeman’s fascination with their cooperative lifestyle and how it differs from human social organization.
Earth Signals
1990
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1990
Earth Signals - A telematic "leaf shaped" installation structure housing six Commodore Amiga computers displaying image files, received via E-mail from Artists throughout the UK, for the Omphalos Gallery in Swiss Cottage London, England, June to
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