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Hyper Reality
2016
Kisseleva, Olga. Hyper Reality. Krakow, Poland: MOCAK, 2016.
Hyperbodies, Hyperknowledge: Women in Games, Women in Cyberpunk, and Strategies of Resistance
2002
Flanagan, Mary. Hyperbodies, Hyperknowledge: Women in Games, Women in Cyberpunk,
and Strategies of Resistance In Reload: Rethinking Women + Cyberculture, edited by Mary Flanagan and Austin Booth, 444-447. Boston, MA: The MIT Press, 2002.
Hyperkult 10: Spiel-Welten: Theorien, Regeln, Interfaces
2001
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2001
Event: Hyperkult 10: Spiel-Welten: Theorien, Regeln, InterfacesInstitution: Universität LüneburgComment:
HyperKult 14
2005
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2005
»HyperKult - Computer as Medium« takes place as an annual (non-profit and no-budget) symposium since 1990. Hyper(media)Kult(ur) was an at this time an upcoming field of research across the borderline of technical and cultural disciplines. HyperKult...
HyperMedia Research Centre
Hyperoptics
2021
video, 4.22' The video Hyperoptics examines the technologically extended forms of visual perception that are enabled through the application of advanced optical research tools used in microscopy. The first part of the video presents a series of...
HyperPrometheus
2018
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2018
Event: HyperPrometheusInstitution: PerthPerth Institute of Contemporary ArtsComment:
Hypotheses Vérification
2010
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2010
Event: Hypotheses VérificationInstitution: New Laboratoria Art&ScienceComment:
HYUNDAI X ELEKTRA: METAMORPHOSIS
2020
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2020
Artists: Matthew Biederman (QC-CA/US) / Choe U-Ram (KR) / Justine Emard (FR) / Yunchul Kim (KR) / Christa Sommerer (AT) & Laurent Mignonneau (FR) / teamVOID & Youngkak Cho (KR) Curators: Alain Thibault and Dooeun Choi
I / THE FOOD I ATE
2016
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2020
9:59 min. (short version 3:30 min.) / HD video / produce in Switzerland The artist has been recording everything he ate since 1975. Pairing his food intake with his portrait suggests that what he ate makes who he is. All the mayonnaise he ate in 38...
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