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... are hidden under the leaves of the... in the sounds of things scuttling across...

... our habitat. In the exhibition space five... On the nature of things Lucretius still... such as football, Formula One racing or...

... When it finds what it thinks might be a... and uses the resulting images as... for moving things that might be... environment and uses the resulting images... zooming, looking for moving things that...

... a tension between what is happening and how... “get.real” addresses the complex interrelationship of... happening and how things supposed to happen...

... century creation, the metaphysical... to change things permanently and the... world might exist for us and through us, as...

... us to consider what are our values and... a reflection on the superpower of... means two things: first, that our... is an opportunity for us to consider what...

... and question the representations of the... and unnatural things, geographical spots... as tools for connecting the...

... Other, belongs to what scientist call the... years after the first virtual tunnel:... This was the best way to see who we are... semantic space. Things are there, not... the pictures use to become like blocks... were using, for each end of the...

... that powered the first explorations of... by the kinds of things people use it for:... of things people use it for: bird watchers... people use it for: bird watchers have...

... the gaps between what is real and what is... shot at night on the streets of London and... and to experience things which are not... threat caused by that very absence.... TRUCOLD was made for the Biennale of Sydney...