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  • Anabela Costa
    ... several solo exhibitions. From the eighties she becames interested and... several solo exhibitions. From the eighties she becames interested and...
  • The Machine in the Garden -
    ... dice... but he sometimes throws them where they can't be seen -... dice... but he sometimes throws them where they can't be seen -...
  • Subtitled Public - Mexico City video
    ... system. As people enter the installation, texts are projected... system. As people enter the installation, texts are projected...
  • Subtitled Public -
    ... system. When people enter the space, the system generates a... system. When people enter the space, the system generates a...
  • Mirko Lazovic
    ...Mirko Lazović graduated at the University of Arts in Belgrade and Royal Academy in... Mirko Lazović graduated at the University of Arts in Belgrade and Royal Academy in...
  • The virtual thematic route Emil Benčić : from experience to infinityhttps://isea2016.scm.cityu.edu.hk/openconf/modules/request.php?module=oc_program&action=view.php&id=265&type=4&a=
    ...Lavoslava Benčić. The virtual thematic route Emil Benčić : from experience to... Lavoslava Benčić. The virtual thematic route Emil Benčić : from experience to...
  • BEAP 2002: PREMISE -
    ... forum and exhibition presenting the theoretical, cultural and... forum and exhibition presenting the theoretical, cultural and...
  • MUSEALL
    MUSEALL (prononcer « Musée All », nom alt. : ARTGATE… nom de code) Dispositif Educatif Muséographique Artistique Numérique et Documentaire (DEMAND) Aucun musée ne donne accès à la totalité des collections des autres Musées. Les petites municipalités
  • Vera Plastica -
    ... determine random variations in the geometry and color of a thematic... determine random variations in the geometry and color of a thematic...
  • Architecture scénographies interactives -
    Dans les projets de conception d’exposition, je m’efforce de considérer la scénographie comme une composante significative du message véhiculé par le projet muséographique. Nous sommes en effet passés d’une époque où le muséographe avait
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