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Jaroslav Vančát
Jaroslav Vančát, Ph.D. New media artist – multimedia art, digital art, computer art, interactive art, visual structuralism, conceptual art, video art Associate Professor at universities in the Czech Republic, new media, visual arts and creativity
Biota
2011
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2011
Biota is a porcelain sculptural installation employing the morphology of the sea sponge as a matrix. Arranged on low-standing Plexiglas platforms, the sculptures appear as if they were dead coral. In the sea, such exoskeleton frameworks signal the
Biocybrid Ouroborus: geographisms of the extase
2012
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2012
Workshop and exhibition, results from the collaborative practice of a group of scientists and artists who were involved in all stages from the preparatory stages, in Brazil, to the event in Havana. LART, in the Art and Science circuit by proposing
Utopia Triumphans
2002
video
Initially this work was developed as a stereoscopic projection for a concert of the Huelgas Ensemble conducted by Paul van Nevel and performed at Zeitfenster Biennale Alter Musik 2002 in the DaimlerChrysler Building, Berlin. In its later iterations
3-d International video-art festival in public spaces
2006
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2006
3-d International video-art festival in public spaces Organizers & festival team are Invite artists working with video, animation and new media to participate in the project: Festival dates, June 5 - July 5, 2006 Festival place Moscow, Saint
WRO 01: Screens / raise of Cyberspace
2001
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2001
The leading theme of the WRO 01 Biennale, SCREENS expresses the character of the media art's present state. On one hand it seems appealed by fast development of cognitive horisons and expression of new communication spaces, and on the other
/rosa (Zentrum für Netzkunst, Panke Gallery)
Conversations @ the Studio
2005
video
Conversations@the Studio presents a natural navigation of a real-world situation—a contemporary glass craftsman’s studio. By displaying a 360-degree global video recording, made on location at the glass blowing studio, it provides the tele-present
Corby & Baily & Mackenzie
Gavin Baily Gavin studied at the Ruskin School of Drawing and Fine Art (1990-93), and Computer Science at University College London (1996). His work with digital media has focused on developing conjunctions of software-based visualisation and the
Digital Mobility / Mobile Thinking
2022
Jamieson, Helen Varley. Digital Mobility / Mobile Thinking In Mobility in Culture: Conceptual Frameworks and Approaches, edited by Dea Vidović and Nancy DuxburyVol.1. , 108-127. : i-Portunus Houses, 2022.
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