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There`s no Simulation like Home
1999
-
1999
... the audience have the p
oss
ibility to view the installation...
Points of View II - Babel
1983
... to bottom): BE PERMAMENT TO P
OSS
ESS - TO GOVERN/TO DIRECT WHAT IS...
Between the words
1995
-
1995
This installation constitutes a specific modality of remote communication between two persons where facial expression and hand gestures are its essential agencies. Two people face each other through an opening in a wall where an optical system
America`s Finest
1993
-
1995
... viewer experiences immersion, l
oss
of control and transformation into a...
Pau Waelder
Independent art critic and curator, researcher in contemporary art and new media. PhD in Information and Knowledge Society, Universitat Oberta de Catalunya (UOC) and Bachelor in Art History from the University of Barcelona. He has developed his
Systems Maintenance
1998
... the same room. It is nearly imp
oss
ible to visually distinguish the...
Recombinant Icon
2003
-
2003
... of the mouse, displaced acr
oss
the screen, and the brush itself...
Sleep Walking
2008
-
2008
... to investigate one of the p
oss
ible human-robot relationships.
Peter Simon
Peter C. Simon is a sound and video artist and curator whose current interests include sound art, field recording, DIY analog instruments and the connections between electroacoustics, extreme music, film and video and leftfield sciences. He holds MA
Die Wiederkehr der Sinne in der "Netzwerk-Kunst"
1993
De Kerckhove, Derrick. Die Wiederkehr der Sinne in der "Netzwerk-Kunst" In Interaktiv. Im Labyrinth der Wirklichkeiten. Über Multimedia, Kindheit und Bildung. Über reale und virtuelle Interaktion und Welten, edited by Wolfgang Zacharias, 71-81.
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