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  • data.spectra -
    data.spectra is the first work of the data.series. Across the entire width of a darkened room is an intensely bright, narrow screen. On moving closer, the screen reveals that the source of the flood of light into the room is a vast array of tiny
  • Brighter Later -
    Brighter Later, was a temporary light installation commissioned for the Radcliffe Observatory at Green Templeton College as part of Tracing Venus, the University of Oxford’s Public Art Programme for the Radcliffe Observatory Quarter. Inspired by
  • TouchCounters -
    TouchCounters are computational tags that track the usage of physical objects. TouchCounters sense activity through magnetic, acceleration, and infrared sensors, and indicate their status on bright LED displays. Through magnetic snap connectors,
  • spectraII -
    The installation relies on the intersection of sound and architecture and continues Ikeda's interest in phenomena - be they light, tone or sound - and how they materialise and manifest themselves in the world. The piece is built as a narrow,
  • Airground -
    The Airgrounds were a new genre of air structures comprising soft, responsive architectures the public could interact with. At the Brighton Festival a pyramid-shaped inflatable with a transparent outer skin and yellow inner skin, partially inflated
  • Event: Brighton Festival 1970Institution: Brighton FestivalComment:
  • Event: Brighton Festival 1968Institution: Brighton FestivalComment:
  • Legrady, George and Brigitte Steinheider. Realizing a Digital Media Installations: Problems and Synergetic Effects of an Interdisciplinary Collaboration In Proceedings of MTAC 2001, Multimedia Technology and Applications, UC Irvine, , 255-260.
  • Weibel, Peter. Neurocinema. Zum Wandel der Wahrnehmung im technischen Zeitalter In Wunschmaschine Welterfindung, edited by Brigitte FeldererWien, New York: Springer Verlag, 1996.