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  • On Sylvia Grace Borda's Camera Histories
    Travis, Rebecca. On Sylvia Grace Borda's Camera Histories Scottish Society for the History of Photography https://sshop.org.uk/2016/06/14/rebecca-travis/ (June 2016).
  • RISIKO -
    Installation Europe, North Africa and the Middle East enclose the Mediterranean, generating a space "in-between": refugees seek to traverse it either from the Maghreb states or from Turkey towards Europe; in contrast, Europe creates both real and
  • Shifting Perspectives: Sylvia Grace Borda
    Borda, Sylvia Grace and Jordan Strom and Liz Wells and Rebecca Travis and Dorothy Barenscott. Shifting Perspectives: Sylvia Grace Borda. Vol.ISBN: 978-1-77203-329-8.
  • On Sylvia Grace Borda's Camera Histories
    Travis, Rebecca. On Sylvia Grace Borda's Camera Histories Scottish Society for the History of Photography https://sshop.org.uk/2016/06/14/rebecca-travis/ (June 2016).
  • Distributed Authorship and Creative Communities
    Biggs, Simon and Penny Travlou. Distributed Authorship and Creative Communities Dichtung Digital (online) 41 (2012).
  • Menagerie: Designing a Virtual Experience
    Fisher, Scott S. and S. Amkraut and M. Girard and M. Trayle. Menagerie: Designing a Virtual Experience In Stereoscopic Displays and Virtual Reality Systems, edited by Scott S. Fisher and M.T. Bolas and J. O. MerrittProc. SPIE 2177, Cambridge, MA:
  • Treason`s Script: Interactive Narrative Artwork on CDROM
    Prophet, Jane. Treason`s Script: Interactive Narrative Artwork on CDROM Performance Research Online 4, no. 2 (Summer 1999).
  • Digitalian Treasures, or Glimpses of Art on the CD-ROM Frontier
    Huhtamo, Erkki. Digitalian Treasures, or Glimpses of Art on the CD-ROM Frontier In Clicking In: Hot Links to a Digital Culture, edited by Lynn Hershman Leeson, 306-317. Seattle: Bay Press, 1996.
  • Utopia Treasury -
    Event: Utopia TreasuryInstitution: The Wrong BiennaleComment:
  • Mapping Scientific Paradigms
    In its 2006 Gallery, the journal Nature chose an image that spatially lays out different areas of science in a plane. It is a reduction of a large-format (42" x 43") paper print. The map was constructed by sorting roughly 800,000 scientific papers
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