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  • Poesia Holográfica: as três dimensões do signo verbal
    Kac, Eduardo. Poesia Holográfica: as três dimensões do signo verbal In VII Salão Nacional de Artes Plásticas, edited by Funarte, 43-44. Museu de Arte Moderna do Rio de Janeiro: 1984.
  • One Year After – KulturKontakt Artists in Residence 2005
    Event: One Year After – KulturKontakt Artists in Residence 2005Institution: BA-CA Kunstforum – TresorComment:
  • D3US EX M4CH1NA. Art and Artificial Intelligence -
    D3US EX M4CH1NA. Art and Artificial Intelligence LABoral Centro de Arte de Creación Industrial, Gijón (Spain) November 22, 2010 – May 16, 2020 Memo Akten, Harold Cohen, Jake Elwes, Lynn Hershman-Leeson, Felix Luque, Lauren McCarthy, Anna Ridler,
  • material - immaterial -
    Event: material - immaterialInstitution: Centro Culturale TreviComment:
  • Centro Culturale Trevi
  • Filmska trgatev -
    Event: Filmska trgatevInstitution: Kulturni dom GrosupljeComment:
  • TRIAD HyperDance -
    TRIAD HyperDance is an interactive art work on the net, containing a dance work as hypervideo and an interactive choreography. The work can be seen at the url address http://triad.kiasma.fng.fi and at the http://ctheory.concordia.ca. The TRIAD
  • Othello in an urban space -
    Othello in an urban space:A trial of doing "Othello ®" game in human scale. Each partisipant plays a role of a piece of the game. Unlike we do the game on board and play by two players, there is no center of decision. All the strategy of the game is
  • Untitled
    On a square lattice at least one coordinate of an equilateral triangle must be irrational. An irrational number has no finite numerical representation. An equilateral triangle represented on a computer is inherently imprecise.
  • The ALIVE System: Wireles, Full Body Interaction with Autonomous Agents
    Maes, Pattie and Trevor Darrell and Bruce et. al. Blumberg. The ALIVE System: Wireles, Full Body Interaction with Autonomous Agents Multimedia Systems - Special Issue on Multimedia and Multisensory Virtual Worlds 5, no. 2 (March 1995): 105-112.
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