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Home Transnfer
2002
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2004
HOME TRANSFER is a net-art web project that explores the intersection of home, architecture and new technologies. A dwelling made of bread and its parasitic invasion is used to investigate changing notions of place and presence. Host/Guest
Extruder
2008
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2008
The automobile is a fascinating machine. Since its inception the automobile has driven us faster and faster into the future. Carving out the modern world, it has done brilliantly, reproducing itself by the multi-millions. Along the way it has
Navigate@art – in collaboration with ZKM
2002
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2002
Event: Navigate@art – in collaboration with ZKMInstitution: Automobilforum Unter den LindenComment:
Photo Works
1973
This series of works made using photographic media explores the aesthetics of the double entendre and visual pun. A series of photographic prints on linen included: A tablecloth printed with a picture of a place setting after the meal has been eaten
GEMMA ARGUELLO MANRESA
Lecturer at the Department of Philosophy at the Universidad Nacional Autónoma de México (UNAM). I am researcher for the National Research System (Level 1) in Mexico, and Chair of the Feminist Caucus and Social Media Editor for the American Society
Aesthetics and Naturalism
2013
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2013
Event: Aesthetics and NaturalismInstitution: INSTITUTE FOR PHILOSOPHICAL RESEARCH, UNIVERSIDAD NACIONAL AUTÓNOMA DE MÉXICOComment:
INSN(H)AK(R)ES
2002
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2002
Event: INSN(H)AK(R)ESInstitution: Universidad Nacional Autónoma de MéxicoComment:
Maria Fernandez
María Fernández is Associate Professor in the Department of History of Art and Visual Studies at Cornell University and currently serves as Director of Graduate Studies. She received her doctorate in art history from Columbia University in 1993. Her
Le Diable est-il Courbe ? et l'Ecriture Interactive
1996
Event: Le Diable est-il Courbe ? et l'Ecriture InteractiveInstitution: Table ronde : Univers virtuels et comportements autonomes, Etats Généraux de l'Ecriture InteractiveComment:
time to back up!
2000
"Time to back-up?" stellt den sehr reduzierten zweiten Teil der Biennale-Arbeit "IO_lavoro immateriale" von Knowbotic Research dar, die aus zwei in eine graue Wand eingebauten Lautsprecherpaaren und einem CD-Brenner besteht. Man hört die von
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