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  • RGB VW -
    This work was conceived in relation to a particular location, a disused automobile factory in Karlsruhe. Such a space is clearly significative of industrial culture. But we are now shifting towards a more immaterial fascination - the media
  • Extruder -
    The automobile is a fascinating machine. Since its inception the automobile has driven us faster and faster into the future. Carving out the modern world, it has done brilliantly, reproducing itself by the multi-millions. Along the way it has
  • Navigate@art – in collaboration with ZKM -
    Event: Navigate@art – in collaboration with ZKMInstitution: Automobilforum Unter den LindenComment:
  • Photo Works
    This series of works made using photographic media explores the aesthetics of the double entendre and visual pun. A series of photographic prints on linen included: A tablecloth printed with a picture of a place setting after the meal has been eaten
  • GEMMA ARGUELLO MANRESA
    Lecturer at the Department of Philosophy at the Universidad Nacional Autónoma de México (UNAM). I am researcher for the National Research System (Level 1) in Mexico, and Chair of the Feminist Caucus and Social Media Editor for the American Society
  • Aesthetics and Naturalism -
    Event: Aesthetics and NaturalismInstitution: INSTITUTE FOR PHILOSOPHICAL RESEARCH, UNIVERSIDAD NACIONAL AUTÓNOMA DE MÉXICOComment:
  • INSN(H)AK(R)ES -
    Event: INSN(H)AK(R)ESInstitution: Universidad Nacional Autónoma de MéxicoComment:
  • Le Diable est-il Courbe ? et l'Ecriture Interactive
    Event: Le Diable est-il Courbe ? et l'Ecriture InteractiveInstitution: Table ronde : Univers virtuels et comportements autonomes, Etats Généraux de l'Ecriture InteractiveComment:
  • time to back up!
    "Time to back-up?" stellt den sehr reduzierten zweiten Teil der Biennale-Arbeit "IO_lavoro immateriale" von Knowbotic Research dar, die aus zwei in eine graue Wand eingebauten Lautsprecherpaaren und einem CD-Brenner besteht. Man hört die von
  • Maria Fernandez
    María Fernández is Associate Professor in the Department of History of Art and Visual Studies at Cornell University and currently serves as Director of Graduate Studies. She received her doctorate in art history from Columbia University in 1993. Her
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