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Halycon Arts Lab brings Future to the Present
2018
Royce, Aaron. Halycon Arts Lab brings Future to the Present Washington Life Magazine (October 2018).
StoryRooms
2005
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2006
A group of internationally renowned media artists brings surreal, poetic and thought-provoking installation environments to Manchester, that invite you to explore the ways we now communicate with each other and with technology. (source:
Liminal Spaces
2015
video
Visitors inhabit a dome-space where they move, communicate and interplay with performers. An experience of audience participation and multi-user interaction. Home to layers of performance, image, sound, text and interactivity, the dome space
Liminal Spaces
2015
video
Visitors inhabit a dome-space where they move, communicate and interplay with performers. An experience of audience participation and multi-user interaction. Home to layers of performance, image, sound, text and interactivity, the dome space
Understanding Insects: Why Explore Through Science And Art?
2014
Gates-Stuart E and Nyugen C:. Understanding Insects: Why Explore Through Science And Art?. Australian Science Communicators Conference, ASC 2014, Brisbane: Australian Science Communicators Conference, 2014.
Context Providers. Conditions of Meaning in Media Arts
2011
Christiane Paul and Margot Lovejoy and Victoria Vesna. Context Providers. Conditions of Meaning in Media Arts. Bristol: Intellect Ltd., 2011.
Far Field: Digital Culture, Climate Change, and the Poles
2011
Polli, Andrea and Jane Marsching. Far Field: Digital Culture, Climate Change, and the Poles. Bristol: Intellect Ltd., 2011.
Quantum Art and Uncertainty
2018
Thomas, Paul. Quantum Art and Uncertainty. Bristol: Intellect, 2018.
Media Poetry: An International Anthology
2007
Kac, Eduardo, ed. Media Poetry: An International Anthology. 2 th ed.Bristol: intellect, 2007.
Media Forum 2001
2001
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2001
Media Forum is now in its second year which is certainly no anniversary. However, this brings its organizers both a great happiness and some significant difficulties. We are happy because the pilot issue of the Media Forum 2000 programme claims now
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