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  • Sylvia Grace Borda: Camera Histories
    Travis, Rebecca. Sylvia Grace Borda: Camera Histories Photomonitor UK 2014 (January 2014): http://www.photomonitor.co.uk/2014/01/sylvia-grace-borda-camera-histories/.
  • On Sylvia Grace Borda's Camera Histories
    Travis, Rebecca. On Sylvia Grace Borda's Camera Histories Scottish Society for the History of Photography https://sshop.org.uk/2016/06/14/rebecca-travis/ (June 2016).
  • On Sylvia Grace Borda's Camera Histories
    Travis, Rebecca. On Sylvia Grace Borda's Camera Histories Scottish Society for the History of Photography https://sshop.org.uk/2016/06/14/rebecca-travis/ (June 2016).
  • Distributed Authorship and Creative Communities
    Biggs, Simon and Penny Travlou. Distributed Authorship and Creative Communities Dichtung Digital (online) 41 (2012).
  • Treason`s Script: Interactive Narrative Artwork on CDROM
    Prophet, Jane. Treason`s Script: Interactive Narrative Artwork on CDROM Performance Research Online 4, no. 2 (Summer 1999).
  • Menagerie: Designing a Virtual Experience
    Fisher, Scott S. and S. Amkraut and M. Girard and M. Trayle. Menagerie: Designing a Virtual Experience In Stereoscopic Displays and Virtual Reality Systems, edited by Scott S. Fisher and M.T. Bolas and J. O. MerrittProc. SPIE 2177, Cambridge, MA:
  • Ale Guzzetti
    ALE GUZZETTI (Pier Natale Guzzetti, 1953, Milan, Italy) He studied at the Brera Academy of Fine Arts, Milan, and he took some University courses in electronic and computer music at the Polytechnic University of Milan and at the Calculate Sonology
  • Digitalian Treasures, or Glimpses of Art on the CD-ROM Frontier
    Huhtamo, Erkki. Digitalian Treasures, or Glimpses of Art on the CD-ROM Frontier In Clicking In: Hot Links to a Digital Culture, edited by Lynn Hershman Leeson, 306-317. Seattle: Bay Press, 1996.
  • Utopia Treasury -
    Event: Utopia TreasuryInstitution: The Wrong BiennaleComment:
  • Mapping Scientific Paradigms
    In its 2006 Gallery, the journal Nature chose an image that spatially lays out different areas of science in a plane. It is a reduction of a large-format (42" x 43") paper print. The map was constructed by sorting roughly 800,000 scientific papers
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