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Alexandra Dementieva
Lives and works in Brussels The idea of interaction between the viewer and an artwork, mediated by technologically progressive visualization methods, lies at the core of her work. In her installations she uses various art forms on an equal basis:
The Similar Eye: Proxy Life and Public Space
2002
Oliver, Julian. The Similar Eye: Proxy Life and Public Space In Computer Gambes and Digital Cultures Conference Proceedings, : Tampere University Press, 2002.
The Space of Infrathin Difference: Non-similar Similarity in Duchamp’s Art
2010
Berlot, Uršula. The Space of Infrathin Difference: Non-similar Similarity in Duchamp’s Art Sodobnost, nov. 2010/74. Ljubljana: Kulturno-umetniško društvo Sodobnost International (2010).
BORDERS TUNNEL
2016
Virtual tunnels are made to go beyond obstacles, to allow people appart to meet in spite of any form of obstacles. Frontiers and borders are artificial obstacles. Images from the Web reflect on what the zones of tension resulting from borders
Martina Simkovicova
Artist: Martina SimkovicovaComment:
Kunst aus dem Computer
1967
Simmat, William E.. Kunst aus dem Computer Exakte Ästhetik - Methoden und Ergebnisse empirischer und experimenteller Ästhetik 5 (1967).
Neue Medien, neue Welten: Digitale Kunst.
1999
Simmen, Jeannot. Neue Medien, neue Welten: Digitale Kunst. Brockhaus, Kunst und Kultur (Feb 1999): 151.
Neue Medien, neue Welten: Digitale Kunst.
1999
Simmen, Jeannot, ed. Neue Medien, neue Welten: Digitale Kunst.. Vol.6. 151., Brockhaus, Kunst und Kultur th ed.Leipzig: Brockhaus, 1999.
Neue Medien, neue Welten: Digitale Kunst.
1999
Simmen, Jeannot, ed. Neue Medien, neue Welten: Digitale Kunst.. Vol.6. 151., Brockhaus, Kunst und Kultur th ed.Leipzig: Brockhaus, 1999.
Techno-Transformation und terminale Identität
2002
Weibel, Peter. Techno-Transformation und terminale Identität In Telematik. Netz Moderne Navigatoren, edited by Jeannot Simmen, 9-15. Köln, DE: Verlag der Buchhandlung Walther König, 2002.
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