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House of Impressions. Classics and Contemporary of Media Art
2016
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2016
2016 Pushkin Museum House of Impression exhibition (26.05.2016 – 30.09.2016) Curator: Olga Shishko & Elena Rumyantseva Featuring: Chantal Akerman (Belgium-France), Tatiana Akhmetgalieva (Russia), Mona Hatoum (USA), Marianne Heske (Norway), Nan
Druckgrafik bis Medienkunst: Neue Analyseinstrumente für die historisch vergleichende Bildforschung
2014
Grau, Oliver. Druckgrafik bis Medienkunst: Neue Analyseinstrumente für die historisch vergleichende Bildforschung Rundbrief Fotografie 21, no. 1/2 (2014): 108-116.
Grüne Mäuse: Der amerikanische Gen-Künstler Eduardo Kac und sein genetisch manipuliertes Ökosystem "Der achte Tag"
2001
Girst, Thomas. Grüne Mäuse: Der amerikanische Gen-Künstler Eduardo Kac und sein genetisch manipuliertes Ökosystem "Der achte Tag" Frankfurter Rundschau (August 2001): 19.
‘Local Eyes; Beyond Vague Terrain’
2012
Yee, Chris. ‘Local Eyes; Beyond Vague Terrain’ The Runner Magazine 2012 (January 2012): http://runnermag.ca/2012/01/local-eyes-beyond-vague-terrain/.
Particle Dreams
1988
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1988
This piece contains a collection of dream sequences created using 3D particle systems techniques. Behavior rules are applied to thousands of individual particles to model complex phenomena such as an explosion, a snowstorm, a tumultuous head, and a
Newtown Creek (oil spill)
2011
video
Newtown Creek is a massively contaminated Superfund site running through the Greenpoint, Williamsburg and Bushwick neighborhoods of Brooklyn, New York. For the AR artwork "Newtown Creek (oil spill)" Tamiko Thiel has created a 3D object from the
Computer Identity
2003
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2012
Computer Identity was an interactive digital internet-based artwork that was created by Beatriz Albuquerque in 2003-2005 (http://computeridentity.no.sapo.pt/). It was 1st presented to audiences in 2005 at BaseSpace, Chicago, The School of the
Die Ästhetik des Erscheinenden / Apparitional Aesthetics
1995
Ascott, Roy. Die Ästhetik des Erscheinenden / Apparitional Aesthetics In Prix Ars Electronica 95, Internationales Kompendium der Computerkünste, edited by H. Leopoldseder, 15-22. : Österreichischer Rundfunk and Landesstudio Oberösterreich, 1995.
Der Mensch als "zweiter Gott". Motive der Wiederkehr eines kunsttheoretischen Topos im Zeitalter der Bildsimulation
1992
Bredekamp, Horst. Der Mensch als "zweiter Gott". Motive der Wiederkehr eines kunsttheoretischen Topos im Zeitalter der Bildsimulation In Interface I: Elektronische Medien und Künstlerische Kreativität, edited by Klaus Peter Dencker, Hamburg. :
Transporter
2008
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2009
2 conveyor belts of about 13m long are set up next to each other and running in opposite directions. People can lay down on them to be transported very slowly. Hidden under the surface an invisible mechanism produces a subtle yet intense tactile
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