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  • The 121212 UpStage Festival of Cyberformance took place 5-12 December 2012 and consisted of two parts: - “Walking backwards into the future” – remounted cyberformances from the past 5 festivals (5-11 December) - “Testing – 1 2, 1 2, 1 2” – new
  • ISEA2015-DISRUPTIONS -
    21st International Symposium on Electronic Art, august 14th - 19th, 2015. ISEA2015’s theme of DISRUPTION invites a conversation about the aesthetics of change, renewal, and game-changing paradigms. We look to raw bursts of energy, reconciliation,
  • Mapping the void -
    Mapping the Void is a series of urban performances by Pessi Parviainen and Christophe Bruno. The performances study the relations between different physical places and the mapping of the global mediascape as we know it.
  • (in)human sciences -
    “(In)human Sciences” was made for the exhibition Neterotopia, curated by Daniele Balit and Pierre Mertens. During March 2006, my work was displayed in the advertising space of the website of the french newspaper Libération. The exhibition was also
  • Greenhouse Converter -
    The greenhouse converter is an apparatus for algae, water fleas and people. Water from a fountain, enriched with atmospheric gases, especially carbon dioxide, is pumped from beneath via an air supply into an aquarium. This feeds an algal culture
  • Layers of Visibility -
    Between 2013 and 2017, a series of artists associated with the University of Plymouth, UK, responded to Cyprus through residencies at Nicosia Municipal Arts Centre. The works included in the exhibition and publication indicate a range of different
  • The Geo Quick Response project proposes to modify and question the representations of the geopark landscape, and also aims at making visitors aware of the more global problems raised by this landscape. By having visitors to interact with the work
  • Four participants enter into a small, closed off, pitch black dark room. The room houses a large architectural construction: 4, 1 x 6 meter long tunnels outfitted with a series of taught, fabric muslin screens. The rear screen is solid while the
  • Exploded Views 2.0 -
    Exploded_Views 2.0 by Marnix de Nijs is a masterpiece. No doubt about it. It is the most beautiful work of interactive media art I have ever seen. But its most peculiar aspect is that neither its beauty nor its meaning reside in the interactivity of
  • For the "Places & Spaces: Mapping Science" exhibition W. Bradford Paley approached making a map of science indirectly, by making a map of a book describing The History of Science. In this way, he leveraged the intelligent organization by Henry Smith