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  • Champs Libres -
    “Champs Libres” is an invitation to a sensory journey in a forest opening onto a clearing bathed in light, in which everyone is encouraged to take a break, to feel, to exchange. For centuries, the landscape has been shaped by human action. In the
  • Ilknur Yalvac is an artist and designer based in Vienna, holding a degree in Digital Arts from the University of Applied Arts Vienna. Her artistic practice is rooted in a deep exploration of the interconnectedness of music history, literature,
  • Artist/academic. She studied an MsC in information technology applied to arts at Chalmers University of Technology and a PhD in Digital arts and experimental media at University of Washington. She has published articles in journals such as Artnodes,
  • 2014 Slick Art Fair (with Galerie Charlot) (22nd-26th October), Pont Alexandre III - Port des Champs-Elysées - Paris, France
  • Fields of Origin NEXT NATURE / juried poster exhibition, I -NODE of Planetary Collegium 2015 By Lila Moore Novel forms and ideas arise unexpectedly from unknown or previously unsuspected origin. Being new and full of mysterious possibilities, they
  • Exit Strategies -
    Exit Strategies H Queens, 80 Queen's Road, Central, Hong Kong 28.02.2019 - 30.04.2019 Curator: David Chan Artists: Chloe Cheuk, Silas Fong, Lee Kit, Linda Lai & the Floating Projects Collective, Map Office, Tsang Kin-Wah and Tamás Waliczky
  • All Digital -
    2006 “All Digital” curated by Margo Crutchfield MOCA Museum of Contemporary Art Cleveland With works by JLynn Hershman Leeson, Charles Sandison, Christa Sommerer & Laurent Mignonneau, Anne-Marie Schleiner, John Simon, Paul Chan, Leo Villareal -
  • Mori -
    In Mori, the immediacy of the telematic embrace between earth and visitor questions the authenticity of mediated experience in the context of chance, human fragility, and geological endurance. Mori engages the earth as a living medium. Minute
  • "Outside-in: exile at home" (2018 - 2021) is an installation by digital artist Annabel Castro. In the installation, using a machine learning algorithm, four classic fiction films are continuously torn apart inside a screening room.
  • Thiel, Tamiko. Critical Interventions into Canonical Spaces: Augmented Reality at the 2011 Venice and Istanbul Biennials In Augmented Reality Art: From an Emerging Technology to a Novel Creative Medium, edited by Vladimir Geroimenko, 31-60. Cham: