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f Media Art Learning
Statement zu einer Kunst im Netzwerk
1994
Weibel, Peter. Statement zu einer Kunst im Netzwerk In Teletopologie Österreich - Materialien zur Medienkunst, Medien.Kunst.Passagen, edited by Thomas Feuerstein and Romana Schuler, 153-160. Wien: Passagen Verlag, 1994.
Net_Condition
1999
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2000
Peter Weibel (Curator), Walter van der Cruijsen (Curator), Golo Föllmer (Curator), Johannes Goebel (Curator), Hans-Peter Schwarz (Curator), Benjamin Weil (Curator), Jeffrey Shaw (Curator)
By design : Computer networks are on their way to becoming virtual environments. Rebecca Allen is exploring the possibilities and the implications
1997
Gordon, Dan. By design : Computer networks are on their way to becoming virtual environments. Rebecca Allen is exploring the possibilities and the implications Challenge Magazine, Research at UCLA (Spring 1997): 17f..
DEAF 98: The Art of the Accident
1998
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1998
In our world, accidents are an everyday part of reality. The things we produce have a tendency to malfunction as much as they are capable of functioning properly. We try to predict and control things; yet, we are often surprised by their creativity
transmediale.07 unfinish!
2007
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2007
The 20th transmediale festival again explores how art and society are changing under the influence of media and technologies which become more and more dominant in our everyday lives. In contemporary art, digital media like video and electronic
Net_Condition
1999
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2000
Net_Condition. MECAD. Sabadell (BCN), ZKM-Zentrum für Kunst und Medientechnologie (Karlsrhuhe), ICC-InterCommunication Center (Tokyo) Steirischer Herbst99 (Graz), 1999-2000
net_condition
1999
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2000
Event: net_conditionInstitution: ZKMComment:
How we Became Metadata
2010
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2010
Artists Martin John Callanan, Corby & Baily and Jonathan Mackenzie, Eunju Han, Eduardo Kac, susan pui san lok, Ruth Maclennan and Uriel Orlow, and Thomson and Craighead What is Metadata? As the exhibition outlines, it is data about data,
The Book after the Book
1999
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1999
The Book after the Book is a hypertextual and visual essay about cyberliterature and the net_reading/writing_condition. Its main focus is non-linear narratives, which reconfigure the literature/book relationship starting from the very notion of
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