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  • Kutschat, Daniela. Invencao 99 Sao Paolo, Brazil: Thinking the Next Millenium Leonardo 33, no. 3 (1999): 225-227.
  • Machado, Arlindo. Made in Brazil. Sao Paulo, Brazil: Editora Iluminuras and Itau Cultural, 2007.
  • Michelin, Simone. O Centro do Crisol In Redes Sensoriais: Arte, Ciencia e Tecnologia, edited by Katia Maciel and André Parente, 107-120. Rio de Janeiro, Brazil: Editora Contracapa, 2003.
  • Pat Badani (b. Argentina) draws from the fields of media art, science, and technology to explore the intersectionality of environmental and social issues. She often uses 'food' to create artistic arguments that blend aesthetics and criticism,
  • Grau, Oliver. A história da telepresenca: automatos, ilusao e a rejeicao do corpo In Corpos Virtuais, edited by Ivana Bentes, 112-117. Rio de Janeiro, Brazil: Centro Cultural Telemar, 2005.
  • Burns, David R.. Borders, surveillance, and Control in the Digital Age In Soft Borders International Network Conference and Festival on New Media Art, Sao Paolo, Brazil: 2010.
  • Oi Futuro, Rio de Janeiro, Brazil, solo show curated by Christiane Paul ("Eduardo Kac: Lagoglyphs, Biotopes and Transgenic Works"), January 25th to March 30th, 2010). [Hullabaloo, Oblivion, Theorem, Odissey]
  • Peter d'Agostino is an artist who has been working in video and new media for three decades. His pioneering projects have been exhibited internationally in the form of installations, performances, telecommunications events, and broadcast
  • Event: Eduardo Kac, Museu de Arte Moderna, Rio de Janeiro, Brazil, in 1991Institution: Museu de Arte Moderna, Rio de Janeiro, BrazilComment:
  • Museum of Brazilian Art, Fundação Armando Alvares Penteado, São Paulo, Brazil (October 21-November 11, 1994).