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  • Bodies INCorporated -
    Bodies© INCorporated is an investigation into social psychology and group dynamics, actualized in corporate structure. It is a collaborative project on many levels, from the team of artists implementing it, to the actively participating audience
  • Mori
    Sound-Installation "Mori" is an Internet-based earthwork that engages the earth as a living medium. In this installation, minute movements of the Hayward Fault in California are detected by a seismograph, converted to digital signals, and
  • Without Firm Ground – Vilém Flusser and the Arts -
    “Ins Universum der technischen Bilder” or “Lob der Oberflächlichkeit“ – with such programmatic titles Vilém Flusser (1920–1991) advanced to become one of the most influential thinkers to deal with communication and media in the 20th century. Flusser
  • B.A.R.O.C.K. Artistic interventions in the Caputh Palace. Editor: Stiftung Preußische Schlösser und Gärten Berlin-Brandenburg.https://edition-cantz.com/produkt/b-a-r-o-c-k/?lang=en
    Wittwer, Samuel and Mark Gisbourne, ed. B.A.R.O.C.K. Artistic interventions in the Caputh Palace. Editor: Stiftung Preußische Schlösser und Gärten Berlin-Brandenburg. https://edition-cantz.com/produkt/b-a-r-o-c-k/?lang=en. Esslingen: Edition Cantz,
  • Kraftwerk: I Was a Robot
    Flür, Wolfgang. Kraftwerk: I Was a Robot. London: Sancturay Pub Limited, 2003.
  • Art-Nature, catalog
    Kisseleva Olga. Art-Nature, catalog. Sancy, France: Horizons, 2009.
  • CrossWorlds -
    CrossWorlds, solo project, monumental installation in the Sancy National Parc, in the frame of Horizon projet, Auvergne, France, June - September 2009
  • Horizons Arts + Nature in Sancy -
    Event: Horizons Arts + Nature in SancyInstitution: SancyComment:
  • Sandquake -
    Long lengths of polythene tubing were buried in the sand at a beach in the Camargue in France. This tubing was then slowly inflated so that it gradually rose up and erupted out of the sand.
  • The Body Remembers -
    Spanning 22 years and three continents, the performance, video and digital media work made by Jill Scott coalesces at points that are both corporeal and mechanistic. The differing themes and effects of each work are supported by a range of interests
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