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Musée de Liège 2001 - 2001

http://www.benayoun.com/projet.php?id=94
BORDER DIGGERS, NANJING – HONG KONG TUNNEL 2017

Students from CityU School of Creative Media and Nanjing University Art Institute tracking the obstacles in mediated communication. During the first decades of digital computing and networking, the emphasis was put on the potential of the
So.So.So. Somebody, Somewhere, Sometime 2002

Benayoun, Maurice. So.So.So. Somebody, Somewhere, Sometime In Future Cinema, edited by Jeffrey Shaw und Peter Weibel: MIT Press, 2002.
The Virtual Reality World as a Metaphor 1998

Benayoun, Maurice. The Virtual Reality World as a Metaphor In Conference abstracts and applications, ACM Siggraph, : 1998.
Autres sites, nouveaux paysages 2001

Benayoun, Maurice. Autres sites, nouveaux paysages Revue d´esthétique 39 (2001).
ABSTRACT SHOTS 2018

The ABSTRACT SHOTS are some of the outcomes of the BRAIN FACTORY that gave the exhibition spectators in Paris, Seoul, Brisbane and Hong Kong the possibility to become “brain-workers”. Using no hands and no words, they gave a shape to human
La 3D dans les systèmes interactifs. Habillage ou langage? 1994

Benayoun, Maurice. La 3D dans les systèmes interactifs. Habillage ou langage? In La Cultura dell´Interattivitá, Milano: 1994.
AME (Après Musée Explorable) 1993

Benayoun, Maurice. AME (Après Musée Explorable) .
La genèse du réalisme interactif, fausse nouvelle 1995

Benayoun, Maurice. La genèse du réalisme interactif, fausse nouvelle In Conférence du CRI université de Paris 1, Paris: 1995.
Synthèse du réalisme interactif 1995

Benayoun, Maurice. Synthèse du réalisme interactif .

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