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  • DESLOCAMENTOS DO EU: O AUTO-RETRATO DIGITAL E PRÉ-DIGITAL NA ARTE BRASILEIRA (1976-2001) -
    Event: DESLOCAMENTOS DO EU: O AUTO-RETRATO DIGITAL E PRÉ-DIGITAL NA ARTE BRASILEIRA (1976-2001)Institution: Itaú Cultural InstituteComment:
  • Peter Broadwell
    Peter grew up around the world, studied math, and liked to build things. Using math to make pictures led him to computers, which led to trying to “get the darn things to generate pretty images easily”. Still striving for that goal, with a day job at
  • Skoda Auto Deutschland
  • Westway -
    A video installation work focusing on the mythology of violence in contemporary London. The work is both autobiographical and fictional and depicts a violent assault. The work was part of three works. (source: http://www.grahamnicholls.com/)
  • The Search Drive - video
    The Search Drive (2014) is a video work in which some of the same software programs utilized by the NSA to spy on Americans and foreign nationals, residing in America and abroad, are used by an autonomous agent to search through the web for personal
  • Two Women -
    "Two Women" consisted of one computer station, two light boxes (58.4 x 60.3 x 20.3 cm), and two boxes (95.25 x 71.1 x 30.5 cm) each with three images revolving in response either to a timing device located in the computer or to user key-press at the
  • Slippery Traces -
    Slippery Traces is a multi-linear visual narrative in which viewers navigate through a network of over 240 interconnected postcards classified into 24 categories or chapters. The intention of the work has been to explore database structures as a
  • The Medusa Project
    THE MEDUSA PROJECT (AUTOBIOGRAPHY) refers to the relationship between women and power as depicted in both ancient mythology, and in postmodern culture. It represents my attempt to directly merge personal history and influences into the production of
  • "Autobiography" -
    Event: "Autobiography"Institution: Winnipeg Art GalleryComment:
  • Autobiography -
    Event: AutobiographyInstitution: Robert McLaughlin GalleryComment:
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