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  • 400s -
    henrik menné 400s, 2010 Stearin, iron, wood, various electronics Supported by: The Danish Arts Council Committee for Visual Arts Courtesy: Galleri Tom Christoffersen, Copenhague this machine-sculpture is specially made for the exhibition and
  • 3e Biennale d´Art contemporain de Lyon - Catalogue de l´exposition du Musée d´Art Contemporain de Lyon (Dec. 1995 - Fev. 1996)
    RMN, ed. 3e Biennale d´Art contemporain de Lyon - Catalogue de l´exposition du Musée d´Art Contemporain de Lyon (Dec. 1995 - Fev. 1996). Lyon: RMN - Reunion des Musees Nationaux Editions, 1995.
  • 3D-Computergrafik und -animation. Mit einer Beschreibung von Autodesk 3D Studio
    Brugger, Ralf. 3D-Computergrafik und -animation. Mit einer Beschreibung von Autodesk 3D Studio. Bonn, München, Paris: Addison-Wesely, 1993.
  • 3D Opera
    Pearlman,Ellen. 3D Opera PAJ (Performance Arts Journal),MIT Press (January 2018).
  • 33 Questions per Minute, Relational Architecture 5 -
    "33 Questions per Minute" consists of a computer program which uses gramatical rules to combine words from a dictionary and generate 55 billion unique, fortuituous questions. The automated questions are presented at a rate of 33 per minute --the
  • 3-d International video-art festival in public spaces -
    3-d International video-art festival in public spaces Organizers & festival team are Invite artists working with video, animation and new media to participate in the project: Festival dates, June 5 - July 5, 2006 Festival place Moscow, Saint
  • 3-D Epiphany
    Pesce, Mark. 3-D Epiphany .
  • 2nd Moscow Biennale of contemporary art,
    2nd Moscow Biennale of contemporary art. 2nd Moscow Biennale of contemporary art,. Moscow, Russia: 2nd Moscow Biennale of contemporary art, 2007.
  • 28. International Ludwig Wittgenstein Symposium
    Event: 28. International Ludwig Wittgenstein SymposiumInstitution: Austrian Ludwig Wittgenstein SocietyComment:
  • 24hour Social -
    24hour Social is a data-driven 24 hour generative video installation that questions how identities are constructed as data in an era of social media that act as authentic platforms for performances of the self and simultaneously as systems of data-
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