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  • The Plural Image
    Barbosa, Ana Mae. The Plural Image In Connection: an optical life electronics for images, edited by DIANA MARIA G DOMINGUESMuseu de arte Contemporânea – MAC/USP: 1990.
  • Diver video
    Interactive installation exploring the potential of single-user virtual reality. Rearrangement of multiple subjective camera views captured from the body of an Olympic diver. VR head-mounted display transmitting simultaneous viewpoints and
  • Plusvalía y Género Artístico
    Casares,Nilo. Plusvalía y Género Artístico Ars Longa , no. 6 (1996): 3.
  • Plusvalía y Género Artístico -
    Event: Plusvalía y Género ArtísticoInstitution: Departamento de Historia del Arte de la Universidad de ValenciaComment:
  • Aliens R Us : the other in science fiction cinema
    Sardar, Ziauddin and Sean Cubitt, ed. Aliens R Us : the other in science fiction cinema. London/Sterling: Pluto Press, 2002.
  • Reframing Consciousness
    Ascott, Roy, ed. Reframing Consciousness. Plymbridge: Intellect Books, 1999.
  • Syncronicity - The Circus of Everyday Life -
    Syncronicity 2008 This work developed out of my research fellowship at goldsmiths college.This is a live visualisation of a hand drawn city. Dozens of hand drawings are being walk on by small robots. The real space made as a visualisation. A
  • Stanza -
    Event: StanzaInstitution: Plymouth Arts CentreComment:
  • Plymouth Art Center
  • Gabriela Galati
    Gabriela Galati holds a BA and MA in History of Art from the Universidad de Buenos Aires, and a PhD from Plymouth University, for which her research focused on art theory, media and technology. Currently, she is Professor of Theory and Methodology
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