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  • The World Generator / The Engine of Desire (1996-present) marks an expansion of Seaman's work into the realm of virtual environments. Seaman collaborating with the programmer Gideon May authored a complex virtual world generator that enables
  • ...calling attention to the beauty of life and the necessity for enlightened thinking about nature’s ‘tangled bank’.
  • Telenoia -
    What TELENOIA is about is telematic connectivity, mind to mind across the globe. We'll use e.mail like Earn, Bitnet, Internet. We'll use Fax, Telephone of course, ISDN if it's accessible.If we get hold of Videophones or some means of
  • Exchange Fields (with Dancer Regina van Berkel) was fully remade - digitising all of the videodisc materials, and authoring a new fully Digital Version. This project was done in Conjunction with IMAI institute - Intermedia Art Institute
  • The Reading Room -
    Mixed media installation 10 x 6 x 4 metres Aluminium construction, glass components, limited edition artists' books. Jointly authored with Fiona Gunn, Christchurch, New Zealand. (source: http://www.littlepig.org.uk)
  • War zones are as instructive as they are destructive. Since Vietnam, they have beautifully illustrated the contradiction between capitalism and democracy. They teach the lesson that (false) democracy is an alibi for the good intentions of capitalist
  • Suzanne Anker is a visual artist and theorist working at the intersection of art and the biological sciences. She works in a variety of mediums ranging from digital sculpture and installation to large-scale photography to plants grown by LED lights.
  • ELO 2022-E2Lit -
    The work combines various mediums and literary genres (the cookbook’s taxonomy and authoritative style, scientific papers, children’s rhymes…) to reshape its own and presents the reader with complex assemblages on entangled phenomena related to
  • 2012. Inkjet prints on coated paper, dimensions variable. Life-sized pictures of people found on Google's Street View were printed and posted without authorization at the same spot where they were taken. The posters are printed in color on thin
  • Philip Beesley is a professor in the School of Architecture at the University of Waterloo. A practitioner of architecture and digital media art, he was educated in visual art at Queen’s University, in technology at Humber College, and in