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  • Poposki, Zoran. Critical theory for crypto art: Exploring the impact of non-fungible tokens on the commodification of art in the digital age (Apr 2025).
  • The World Generator / The Engine of Desire (1996-present) marks an expansion of Seaman's work into the realm of virtual environments. Seaman collaborating with the programmer Gideon May authored a complex virtual world generator that enables
  • ...calling attention to the beauty of life and the necessity for enlightened thinking about nature’s ‘tangled bank’.
  • Telenoia -
    What TELENOIA is about is telematic connectivity, mind to mind across the globe. We'll use e.mail like Earn, Bitnet, Internet. We'll use Fax, Telephone of course, ISDN if it's accessible.If we get hold of Videophones or some means of
  • Exchange Fields (with Dancer Regina van Berkel) was fully remade - digitising all of the videodisc materials, and authoring a new fully Digital Version. This project was done in Conjunction with IMAI institute - Intermedia Art Institute
  • Fleischmann, Monika and Wolfgang Strauss. The online archive as a dynamic thinking space: from search to re-search ARTNODES NR. 36: NODE «MEMORY MATTERS: NAVIGATING THE HISTORY OF MEDIA ART, SCIENCE AND TECHNOLOGY.
  • Suzanne Anker is a visual artist and theorist working at the intersection of art and the biological sciences. She works in a variety of mediums ranging from digital sculpture and installation to large-scale photography to plants grown by LED lights.
  • War zones are as instructive as they are destructive. Since Vietnam, they have beautifully illustrated the contradiction between capitalism and democracy. They teach the lesson that (false) democracy is an alibi for the good intentions of capitalist
  • 2012. Inkjet prints on coated paper, dimensions variable. Life-sized pictures of people found on Google's Street View were printed and posted without authorization at the same spot where they were taken. The posters are printed in color on thin
  • Free Range Grain -
    Free Range Grain was a live, performative action that used basic molecular biology techniques to test for genetically modified (GM) food in the global food trade. CAE wanted this interventionist performance to demonstrate how the "smooth space" of