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Cybernétique et Oeuvre d´Art
1965
Moles, Abraham André. Cybernétique et Oeuvre d´Art Revue d´Esthétique 18 (1965): 163-182.
Phänomene der Kommunikation. Informationstheorie, Nachrichtenübertragung, Kybernetik
1965
Pierce, John R.. Phänomene der Kommunikation. Informationstheorie, Nachrichtenübertragung, Kybernetik. Düsseldorf, Wien: Econ-Verlag, 1965.
Cybernetics (Second Edition)
1965
Wiener, Norbert. Cybernetics (Second Edition). Cambridge, MASS: The MIT Press, 1965.
Kybernetika ve spolecenskych Vedach
1965
Zeman, Jiri and Arnost Kolman. Kybernetika ve spolecenskych Vedach. Prague: Nakladatelství Ceskoslovenské akademie ved., 1965.
Oliver Grau
20 years Chair Professorships for Image Science. More than 350 lectures and keynotes worldwide, including Olympic Games culture program and G-20 Summit. Grau's “Virtual Art. From Illusion to Immersion”, MIT Press 2003 (Book of the Month, Scientific
Pierre Jolivet
Pierre Jolivet originally from Paris, is an artist who's currently based in Dublin, Ireland. Pierre started in the early eighties, as a French pioneer under the moniker of Pacific 231, in the industrial and power electronics musical fields before
Jon McCormack
Jon McCormack is an Australian-based electronic media artist and researcher in Artificial Life and Evolutionary Music and Art. His research interests include generative evolutionary systems, computational creativity, machine learning, L-systems and
Alok B. Nandi
Alok b. Nandi, media author/artist, is active in "new media" since 1994. He is working on cross-media projects, in mixed-realities (virtual, augmented, telepresence ...). He is exploring narrative spaces through cinema, photo, video, new media, ...
(collective) Sommerer / Mignonneau
Christa Sommerer and Laurent Mignonneau are internationally renowned media artists working in the field of interactive computer installation. They are Professors at the University of Art and Design in Linz Austria where they head the Department for
Now Step into a Movie: Sensorama
1964
Lipton, Leonard. Now Step into a Movie: Sensorama Popular Photography 61-62 (July 1964): 114, 116.
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