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    Rhetorics of Surveillance from Bentham to Big Brother In 1785, the British philosopher Jeremy Bentham (1748-1832), founder of the doctrine of Utilitarianism, began working on a plan for a model prison called the panopticon. The signature feature of
  • FIELDS 2.1
    Fields 2.1 is an attempt to create an illusion of consciousness in non-living matter. A moving eye is a property that allows the viewer to perceive the “inanimate” as the “conscious”. Using magnetic fields and ferrofluid technologies the artists
  • Event: Three SignifiersInstitution: Main StationComment:
  • Event: Flickering Signifiers installationInstitution: Wayne & Geraldine Kuhn GalleryComment:
  • World Stage uses digital representations of global species of butterflies to animate the powerful iconography of worldwide flags. In a time when national, political and social identity has been brought to the forefront of our minds, we are ever more
  • Voyage -
    It takes at least ten years for an idea to go from first appearance in the laboratoy through translation into the consumer world. Voyage is an image signifying the acceleration of this ten year gestation. It is the symbolic description of the
  • "transmediale is the biggest and most significant festival for art and the creative usage of digital media in Germany. Once a year the festival presents new and outstanding projects in the field of digital culture and provides reflexions on the role
  • The University of Tampa presents a biennial invitational exhibition of computer animations, digital video, interactive digital work, and virtual spaces from around the world. Some significant computer artists will offer lectures and presentations.
  • IJWBAA [eej-wah], also known as Pao or Paul Hafalla, is a digital artist, painter, and author based in Pangasinan, Philippines. His art blends influences from Rothko, Giacometti, and Venus de Milo to create expressive figurative pieces that explore