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  • Hazeltine, J. L.. The Computer and the Artist In Utah Architect, Utah: Utah Architect, 1966.
  • Mezei, Leslie. The Computer and the Arts Computers and Automation 15 (January 1966): 11.
  • Paik, Nam June. Cybernated Art In Manifestos. Great Bear Pamphlets, , 24. New York: Something Else Press, 1966.
  • Burks, Arthur, ed. Theory of Self-Reproducing Automata. Urbana, London: University of Illinois Press, 1966.
  • During the past seventeen years Czarnecki's work has centred on ways of exploring and expressing ideas generally based around the human, the physical, biological and psychological. More recently her work has been concerned with investigating the
  • Tiia Johannson was a media artist, educator and researcher based in Tallinn, Estonia. Her background was in fine arts and moving image, since1990 she has mostly been working on numerous media art projects on video, multimedia and Information Society
  • Robert Lazzarini is an American artist who lives and works in New York. Primarily a sculptor, Robert is best known for making common objects that have been subjected to compound distortions which have the effect of confusing visual and haptic
  • Sutherland, Ivan E.. The Ultimate Display In Proceedings of International Federation of Information Processing, , 506-508. : 1965.
  • Götz, Karl Otto. Was ist am Bild messbar? Möglichkeiten und Grenzen der Informationstheorie SYN 2 (1965).
  • Knowlton, Kenneth C.. Computer-Produced Movies Science 150 (1965): 116 -120.