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From Participation to Interaction: Towards the Origins of Interactive Art
1996
Dinkla, Söke. From Participation to Interaction: Towards the Origins of Interactive
Art In Clicking In: Hot Links to a Digital Culture, edited by Lynn Hershman-LeesonSeattle: Bay Press, 1996.
Computer Graphics
1964
Fetter, William A.. Computer Graphics In Architecture and the Computer: First Boston Architectural Center conference, December 5, 1964, Boston, Massachusetts, , 34 - 36. Boston, Massachusetts: 1964.
Soviet Cybernetics and International Development
1966
Ford, John J.. Soviet Cybernetics and International Development In The Social Impact of Cybernetics, edited by Charles DecherNew York: Simon and Schuster, 1966.
Education Automation
1962
Fuller, R. Buckminster. Education Automation. Carbondale, Edwardsville: Southern Illinois University Press, 1962.
On Mathematical Analysis of Style
1952
Fucks, Wilhelm. On Mathematical Analysis of Style Biometrika 39, no. 1/2 (April 1952): 122 - 129.
Automation, Cybernetics and Society
1959
George, Frank Honywill. Automation, Cybernetics and Society. New York: L. Hill, 1959.
The Brain as a Computer
1962
George, Frank Honywill. The Brain as a Computer. Oxford-London-Paris-Frankfurt: Pergamon Press, 1962.
Mit dem Computer Kunst produzieren
1969
Gerstner, Karl. Mit dem Computer Kunst produzieren bit international 7 (1969): 149 - 154.
Elektronische Malerei und ihre Programmierung
1961
Götz, Karl Otto. Elektronische Malerei und ihre Programmierung Das Kunstwerk 12 (June 1961).
Was ist am Bild messbar? Möglichkeiten und Grenzen der Informationstheorie
1965
Götz, Karl Otto. Was ist am Bild messbar? Möglichkeiten und Grenzen der Informationstheorie SYN 2 (1965).
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